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Art and Design Review

ISSN Print: 2332-1997

ISSN Online: 2332-2004

Website: http://www.scirp.org/journal/adr

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Computer-Assisted Automatic Harmonization Processes: A Synchronic Analysis of the Main Musical Tools

Roniere Leite Soares

Analyzing the Inheritance and Development of “Landscape Complex” in Contemporary Local Architecture
—A Case of “Waterfront Mountain Residence”

Bowen Yan, Qing Wang, Shufan Ma

Does Form Follow Function? Harnessing Philosophical Perspectives in the Architecture and Design Process

Eliezer Ntangu Ntieni

Crossing Realities and the Socio-Cultural, Economic Impacts of Visual Arts in the Innovation and Development of Cultural Industries in Ivory Coast

Roland Mominé Sadia, Agouhakéklé Assié, Mamadou Bamba

The Value of Creativity: Human Produced Art vs. AI-Generated Art

Johnathon Hall, Damian Schofield

Conservation Works on Wall Paintings of Aghtamar Church in Van

Fatma Sedes

Explaining a Jewelry Design Process: Using a generative Design Method Called Shape Grammars and Producing the Product with 3D Printing

Saniye F？？g？n Korkmaz

Natural Temperature—Regional Oil Paintings by Russian Contemporary Artist Vagin Evgeny

Haixin Wang

Unwrapping the Struggle: Unveiling the Packaging Challenges Faced by the Elderly through Interviews

Fang Gan

Contemporary Art, Twenty-First Century Utopia or Mirror of Everyday Life

Bokumoni Akonga Jonas Theodore

Emotional Responses to Spatial Design in a Regeneration Project: A Study Using Virtual Reality and Galvanic Skin Response Methodology

Xiaochun Zhan, Bin Jiang, Fangbin Guo

Embodied Subjectivity in Cézanne’s Late Paintings

Yu Yuan

The Relationship between Orientalist Painters and Muslim Women: Between Imagination and Reality

Fakhriya Al Yahyai, Ayman Elsemary, Najlaa Al Saadi, Amal Ismaili

Usage of Free-Hand Cutting and Patterns in Garment Construction in Ghana

Mawufemor Bans-Akutey, Josephine Aboagyewaa-Ntiri, Ninette Afi Appiah

Application Research of Traditional Chinese Motifs in Cultural and Creative Products

Qi Zhao, Faridah Sahari

Consequences of Symbolic Names and Meanings of Ghanaian Fabric on Consumer Purchase Intention

Hagar Ampa-Korsah, Vida Adu-Gyamfi, Mavis Koranteng

Animal Motifs and Mythical Myth: The Myth Association to the Identity of the Ancient People

Al-Thamari Faeza, Al Zidjali Zahra

The Construction of Reality in Documentary Images from a Postmodern Perspective

Yan Jiang

Landscape Painting in Digital Technology: Rudimentary Procedural Lessons in Adobe Photoshop

Godfred Yeboah Annum

Research on the Design Model of Art Derivatives

Jin-Shan Shen, Yu-Meng Xiao, Chih-Long Lin

A Comparison of Perspective in Chinese and Western Traditional Painting and the Philosophical Thought behind It

Ziyi Zhu

The Impact of Visual Effects on the Cinema Experience: A Comprehensive Analysis

Baxodir Murodillayev

Toshi Yoshida’s Sacred Grove in Twentieth-Century Japanese Visual Culture

Deborah H. Williams, Gerhard P. Shipley

Discuss of the Multidimensional Exploration of Spatial Layout and Artistic Expression in Cave Temples
—A Case Study of Yulin Cave 25

Yu Tian, Lichun Du

Investigating the Use of 3D Printing in Fine Arts Education: A Case Study on Student Artistic Development

Hongye Zhang

Creating Urban Spaces through the Interplay of Void and Solid

Peifang Sun

Considering Color: Applying Psychology to Improve the Use of Color in Digital Interfaces

Brittany Fialkowski, Damian Schofield

A Study on the Gameplay and Cultural Survival Space of Fangqi a Chinese Folk Chess Art from the Perspective of Intangible Cultural Heritage

Shaolin Zhou, Xiaoming Ma

The Nature of Matter: An Inherent Element in the Interpretation of a Work of Art (Three-Dimensional)

Bokumoni Akonga Jonas Theodore

Revisiting Traditional Visual Culture in Contemporary Chinese Painting

Yu Xu

Auditory Steering in Haptic Cinema

Meng Lu

Digital Twins and Cultural Heritage Preservation: A Case Study of Best Practices and Reproducibility in Chiesa dei SS Apostoli e Biagio

James Hutson, Joesph Weber, Angela Russo

Uncertainty in Abstract Painting and Its Possibility of Stimulating Positive Feelings in Viewers

Yichu Shi

RETRACTED: Exploration of Innovative Presentation of Concept Book Design

Xu Zhang

Go Beneath the Surface: A Study on Underwater Dancing

Mo Tu

Approaches about NFT with Crypto Art and Its Place in the Art Market

Mustafa Günay

AI and Zen: AI Films as Reflections on Reality and Illusion

Jun Yu, Bo Zhang

Some Characteristics and Trends of Wood Engraving Paintings in Ho Chi Minh City from 1986 to Now

Doan Minh Ngoc

Artistic Drawing and Thought Expression: CAFA Drawing Retrospective 2009-2015

Bokumoni Akonga Jonas Theoodore

Cyberbodies in Spectacular Landscapes: Exploring the Intersection of Aesthetics, Technology, and Culture in Cyberpunk Films

Ming Yin

Identification of Symbols Used as Motifs in Toghu Production, a Cultural Heritage of Grassland People in Cameroon

Bitoh Evodia Ndifor, Nkemaja Dydimus Efeze, Salihu Maiwada, Gwari Williams Bako, Saliu Ahmed Rafai

Applying the Flipped Teaching Method in Group Piano Lessons to the First-Year Dance-Studies Undergraduate Students

Xi Chen

Effective Design of Coworking Spaces to Improve Users’ Experience in Lagos State, Nigeria

Muiz Wale Memud, Baharak Tabibi

Coherent Music Composition with Efficient Deep Learning Architectures and Processes

Corey Zhang

Responsive Street and Walkability Open Space

Xiangsi Li, Zhengyang Zhu

The Cycle Songs of Bukovina by Leonid Desyatnikov as an Example of Palimpsest

Stacy Olive Jarvis

Research on Children’s Public Welfare Poster Design Based on Situational Interaction Model

Min Li, Yichuan Di, Zichao Nie, Yijing Wang

Emblematic Interpretation of the Designs of Selected Kente Fabrics among Ashanti People of Ghana

Linda Armah, Daniel Akuoko Adjei, Bismark Kwadwo Menetey, Kudesey Divine William

A Study on the Mechanism of User Aesthetic Experience of China Chic Visual Aesthetics

Meijun Lu, Yichuan Di, Zichao Nie

The Multidimensional Interpretation of Contemporary Art as an Organism

Ruilan Ding

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