The article explores the complex interconnections between music and the rhythm of life, examining how music shapes our perception of time and organizes daily activities, as well as how the rhythm of life, in turn, is reflected in musical preferences and creativity. The article analyzes various musical genres and their impact on the pace and structure of life, along with the historical and cultural aspects of the relationship between music and the rhythm of life. Special attention is given to the psychological and social aspects of music’s influence on emotional states and human behavior. The article also examines how music can influence individual and collective rhythms of life, shaping social rituals and cultural traditions. In particular, it explores how musical genres such as classical music, rock, hip-hop, and electronic music reflect and shape life rhythms in various social and cultural contexts. Furthermore, the article addresses the role of music in modern society, including its impact on productivity, emotional well-being, and social interaction. In conclusion, the article emphasizes that music and the rhythm of life are in constant interaction, influencing each other and shaping our worldview.
References
[1]
Alexandrova, E. A. (2024). Musical Culture and Modern Society: Problems of Interaction. Bulletin of the Saint Petersburg State University of Culture and Arts, No. 4, 56-60.
[2]
American Music Therapy Association (2020). Music Therapy and Mental Health. https://www.musictherapy.org/
[3]
Becker, J. (2004). Deep Listeners: Music, Emotion, and Trancing. Indiana University Press.
[4]
Bordyug, N. V., & Rapatskaya, L. A. (2023) Musical Psychology and Psychology of Music Education: A Textbook for Students of Higher Pedagogical Institutions (p. 176). VLADOS.
[5]
Burgoyne, A. et al. (2023). The Anatomy of Virality: How Pop Music Dominates Short-Form Platforms. MIT Press.
[6]
Cross, C. (2005). Heavier Than Heaven: A Biography of Kurt Cobain. Hyperion.
[7]
Gabrielsson, A. (2011). Strong Experiences with Musicmusic Is Much More than Just Music. Oxford University Press. https://doi.org/10.1093/acprof:oso/9780199695225.001.0001
[8]
Janata, P. (2009). The Neural Architecture of Music-Evoked Autobiographical Memories. CerebralCortex,19, 2579-2594. https://doi.org/10.1093/cercor/bhp008
[9]
Karageorghis, C. I., Terry, P. C., & Lane, A. M. (2019). Development and Initial Validation of an Instrument to Assess the Motivational Qualities of Music in Exercise and Sport: The Brunel Music Rating Inventory. JournalofSportsSciences,17, 713-724. https://doi.org/10.1080/026404199365579
[10]
Koelsch, S. (2014). Brain Correlates of Music-Evoked Emotions. NatureReviewsNeuroscience,15, 170-180. https://doi.org/10.1038/nrn3666
[11]
Krutkin, A. N. (2021). Rhythm as a Universal Principle of Existence. Universum: Bulletin of Herzen University, No. 1, 16-22.
[12]
Limb, C. J., & Braun, A. R. (2008). Neural Substrates of Spontaneous Musical Performance: An fMRI Study of Jazz Improvisation. PLOSONE,3, e1679. https://doi.org/10.1371/journal.pone.0001679
[13]
Orlova, A. A. (2020). Music and Time: On the Problem of Perception of a Musical Work. Bulletin of the Leningrad State University, No. 4, 152-160.
[14]
Pulido, I. (2023). Protest Beats. University of California Press.
[15]
Rauscher, et al. (1993). Classical Music: Effects on Concentration and Creative Thinking Original Study. https://pmc.ncbi.nlm.nih.gov/articles/PMC1281386/
[16]
Ritter, S. M., & Ferguson, S. (2017). Happy Creativity: Listening to Happy Music Facilitates Divergent Thinking. PLOSONE,12, e0182210. https://doi.org/10.1371/journal.pone.0182210
[17]
Sartre, J. P. (2020). Being and Nothingness: An Essay on Phenomenological Ontology (p. 639). Respublika.
[18]
Tarr, B., Launay, J., & Dunbar, R. I. M. (2016). Silent Disco: Dancing in Synchrony Leads to Elevated Pain Thresholds and Social Closeness. EvolutionandHumanBehavior,37, 343-349. https://doi.org/10.1016/j.evolhumbehav.2016.02.004
[19]
Thoma, M. V., La Marca, R., Brönnimann, R., Finkel, L., Ehlert, U., & Nater, U. M. (2013). The Effect of Music on the Human Stress Response. PLOSONE,8, e70156. https://doi.org/10.1371/journal.pone.0070156