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Image and Narrative : Online Magazine of the Visual Narrative

ISSN Print: 1780-678X

ISSN Online:

主页: http://www.imageandnarrative.be/

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Todd Berliner. Hollywood Incoherent. Narration in Seventies Cinema.

Pascal Lefèvre

Multimodality and its Modes in Novelizations

Heidi Peeters

Des images vidées ? Les livres de l' Archiv Peter Piller

Ulrike Matzer

Le narrateur implicite dans la bande dessinée. La transformation du style indirect libre dans deux adaptations en bandes dessinées de Madame Bovary

Kai Mikkonen

The Unsettling, Urban Uncanny: The Case of Secured Settlements

Sandra Evans

Stratégies éditoriales et représentations de l'homosexualité dans la bande dessinée lesbienne et gay francophone

Samuel Minne

Photographing Fashion: a critical look at The Sartorialist

Esther Rosser

The Hero and His Shadow

Simona Micali

Assessing Empathy: A Slumdog Questionnaire

Hannah Chapelle Wojciehowski

Blake et le Laoco n : pour une poétique du Mouvement

Jérémy Lambert

I Focalize, You Focalize, We All Focalize Together: Audience Participation in Persepolis

Lizzie Nixon

The Sacred and the Profane in Omkara: Vishal Bhardwaj’s Hindi Adaptation of Othello

Lalita Pandit Hogan

Montage, Militancy, Metaphysics: Chris Marker and André Bazin

Sarah Cooper

Hans-Peter Feldmann / L’évidence du non référé

Michel Baudson

Marcel Mari n’s 'Woman Ajar'. A case of minor photography?

Mieke Bleyen

Familiarity and no Pleasure. The Uncanny as an Aesthetic Emotion.

Jan Niklas Howe

Lost in the Gutters: Ethnic Imaginings in Adrian Tomine’s Shortcomings

Hye Su Park

Documentative Polaroid Project on Bahrain: exploring the elements of mediating sentiment

Sheyma Buali

Cats, Postdramatic Blockbuster Aesthetics and the Triumph of the Megamusical

Vagelis Siropoulos

Petit Cinéma of the World or the Mysteries of Chris Marker

Susana S. Martins

“Er hatte eine Wasserscheu vor Gespenstergeschichten”: The Ghost Story in Late Eighteenth-Century Germany in the Light of Jean Paul’s Novel Die Unsichtbare Loge

Elisa Leonzio

Statues Also Die - But Their Death is not the Final Word

Matthias De Groof

Petite histoire du magazine Vu (1928-1940). Entre photographie d’information et photographie d’art, Danielle Leenaerts

Jan Baetens

Review: Fabio Gadducci, Notes on the Early Decades of Italian Comic Art

Marco Pelleteri

A Different Postcolonialism: the Cultural Ethics of Yasujiro Ozu’s Late Spring

Patrick Colm Hogan

Visuality – Textuality: An Uncanny Encounter

Elisabeth Bronfen

A Story Told by a Picture

Yeshayahu Shen,Efrat Biberman

Maria Giulia Dondero, Le sacré dans l’image photographique.

Jean Fisette

Nicole Matthews & Nickianne Moody, eds., Judging a Book by Its Cover: Fans, Publishers, Designers, and the Marketing of Fiction.

Thomas Van Parys

Wolfgang Tillmans and the Wandering Image

David Evans

Anger, Cognition, Ideology: What Crash Can Show Us About Emotion

Sue J. Kim

Present Perfect. Time and the Uncanny in American Science and Horror Fiction of the 1970s (Finney, Matheson, King)

Fabio Camilletti

The Imaginary in the Documentary Image: Chris Marker’s Level Five

Christa Blümlinger

Introduction

Peter Kravanja

Adapting The Joy Luck Club: Thematic Emphasis through Form

Wanlin Li

Introduction

Fabio Camilletti,Martin Doll,Rupert Gaderer,Jan Niklas Howe

Uncanny Love: Schelling’s Meditations on the Spirit World

Laurie Johnson

New Approaches to Chicana/o Art: The Visual and the Political as Cognitive Process

Guisela Latorre

Crossing Chris: Some Markerian Affinities

Adrian Martin

Alfred Laoureux Monsieur 2003 Photos

Jacques Lennep

Introduction

Alexander Streitberger

Autour de 1968, en France et ailleurs : Le Fond de l'air était rouge

Sylvain Dreyer

“If they don’t see happiness in the picture at least they’ll see the black”: Chris Marker’s Sans Soleil and the Lyotardian Sublime

Sarah French

The District! and the Autonomous Story Zone

Terence DeToy

Avatars de l'Histoire, Warburg et Marker

Barbara Laborde

Art and Electronic Media

Jan Baetens

The Importance of Being Iceland. Travel Essays in Art

Jan Baetens

‘Thought-Images’ and Critical-Lyricisms: The Denkbild and Chris Marker’s Le Tombeau d’Alexandre

David Foster

Historicizing Chicago’s Resurrection of the Film Musical, or, Thinking in Fragments, from Vaudeville to MTV

Vagelis Siropoulos

Posthuman Metamorphosis: Narrative and Systems, New

Elke D'hoker

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