安徽灵璧地区钟馗画传承与发展调研
Research on the Inheritance and Development of Zhong Kui Paintings in Lingbi, Anhui

本文通过文献梳理与实地调研，探讨了安徽灵璧地区钟馗画的创作起源及艺术特征。作为灵璧钟馗画的代表，尹氏钟馗画三代传承人皆延续了吴道子的传统创作方式，遵循严谨的师徒制度。其市场销售模式较为单一，一类为传统市场销售模式，另一类为“非遗 + 文创”的销售模式；经实地调研发现，灵璧钟馗画存在非遗传承人高龄化，年轻传承人日益减少，作品传播途径不畅，以及市场上充斥着仿作的问题。面临市场变化和文化传承的挑战，若通过有效的策略和措施，灵璧钟馗画依然有望实现可持续发展。
Through literature review and field research, this article explores the creative origin and artistic characteristics of Zhong Kui paintings in Lingbi, Anhui. As representatives of Lingbi Zhong Kui paintings, the three generations of inheritors of the Yin family’s Zhong Kui paintings have all continued the traditional creative style of Wu Daozi and follow a rigorous apprenticeship system. Their marketing models are relatively simple, with one being the traditional market sales model and the other being the “intangible cultural heritage + cultural and creative” sales model. Through field research, it is found that Lingbi Zhong Kui paintings have problems such as the aging of intangible cultural heritage inheritors, the decreasing number of young inheritors, the poor dissemination channels of works, and the flooding of imitations in the market. Facing the challenges of market changes and cultural inheritance, Lingbi Zhong Kui paintings are still expected to achieve sustainable development through effective strategies and measures.