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Art Research Letters

ISSN Print: 2326-3474

ISSN Online: 2326-3482

Website: http://www.hanspub.org/journal/arl

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寻找印度古代美学踪迹——《湿婆三面像》
In Search of Ancient Indian Aesthetics—Three Faces of Shiva

赵茹卿, 杜兵

《法国中尉的女人》中“新女性”书写与困境
The Writing and Predicament of “New Women” in The French Lieutenant’s Woman

沈欣雨, 于建华

东西方新冠题材电视剧的影像特征与风格差异
Image Characteristics and Style Differences between Eastern and Western TV Dramas about COVID-19

王尔玉

赵佶《瑞鹤图》探究
A Probe into Ji Zhao’s Painting of Ruihe

鞠佳霖, 温蕾铃

后人类主义视域下的身体感知与情感认同——以《银翼杀手2049》为例
Physical Body Perception and Affective Identification from the Perspective of Post-Humanism—Taking Blade Runner 2049 for an Example

田茹雪

浅析舞蹈艺术在新媒体时代中的发展
A Brief Analysis of the Development of Dance Art in the New Media Era

彭爽, 付艳

古代两河流域与中国汉代美术的太阳图式对比
Comparison of Sun Schema between Ancient Mesopotamian Culture and the Art of China’s Han Dynasty

杨梦格

安徽门歌的基本内容及其社会作用
The Basic Content of Anhui Door Song and Its Social Function

时欢

数字技术与戏影叠合之下的视觉俳句：《麦克白的悲剧》的影像语言分析
Visual “Haiku” with Digital Technology and the Blend of Cinema and Theater: Analysis of Visual Languages of The Tragedy of Macbeth

朱秀雨

浅析电影制作中现实与想象的关系
Analysis of the Relationship between Reality and Imagination in Film-Making

魏文心, 王丽君

热拉尔·热奈特叙事学理论下电影《金色梦乡》的剪辑技巧分析
Analysis of the Editing Technique in the Film “Golden Slumber” Based on Gerard Genette’s Narrative Theory

陈阳

从电影《入殓师》看日本的职人精神
Japanese Craftsmanship Spirit Reflected in the Film “Departures”

何春

传统与反叛——浅析奥德·纳德卢姆的绘画艺术风格
Tradition and Rebellion—A Brief Analysis of Odd Nerdrum’S Painting Art Style

徐艺恬

安吉利科绘画形式语言研究
A Study on the Formal Language of Angelico’s Painting

张楠

论《悬崖之上》悖论叙事下的情感困境
On the Emotional Dilemma under the Paradox Narrative in “On the Cliff”

林子涵

浅谈中国古典舞折扇道具的特点和运用——基以《纸扇书生》为例
On the Characteristics and Application of Folding Fan Props in Chinese Classical Dance—Taking “Paper Fan Scholar” as an Example

陈林, 曹海滨

越轨叙事在国产青春片中的应用——基于《过春天》的考察
The Application of Deviant Narrative in Domestic Youth Films—A Study Based on The Crossing

黄灵颖, 石宇宸

设计评论中“皇帝的新装”现象探究
Research on the Phenomenon of “The Emperor’s New Clothes” in Design Comments

王文昭, 李锋

当代写意人物画家袁武的笔墨创新发展
Contemporary Freehand Figure Painter Yuan Wu’s Innovative Development of Brush and Ink

龚煜雯

世俗·理性·神性——意大利文艺复兴时期裸体艺术的本质
Secular, Rational, Divine—The Nature of Nude Art in the Italian Renaissance

王兴珍

生与死、真与幻——张文藻仿木构墓葬空间观的研究
Life and Death, Truth and Illusion—Zhang Wenzao’s Study on the Space View of Imitated Wooden Tombs

朱曼曼

后现代思潮下博物馆叙事话语转变的探索——以中国丝绸博物馆为例
Exploration on the Transformation of Narrative Discourse in Museums under the Postmodern Trend of Thought—Taking China Silk Museum as an Example

谢炜东, 吕游, 张新灿

设计思维的构成及特性探究
Research on Composition and Characteristics of Design Thinking

张金凤

现实主义的回归——理解后现代主义艺术的一种视角
The Return of Realism—A Perspective for Understanding Postmodernist Art

陈汝佳

《花束般的恋爱》中人物镜像重构解析
The Reconstruction Analysis of Character Mirror Image in Bouquet of Love

纪玉爱

莫迪里阿尼肖像画的特点与情感表达
The Characteristics and Emotional Expression of Modigliani’s Portraits

肖燕萍

后人类主义视域下赛博格的身份认同——以电影《银翼杀手2049》为例
Cyborg’s Identity from a Posthumanist Perspective—Taking the Movie Blade Runner 2049 as an Example

程斯媛

接受美学视角下《狂飙》的叙事创新表达分析
Analysis of the Narrative Innovation Expression of The Knockout from the Perspective of Reception Aesthetics

班恩琼, 李明宇, 刘蕙旻

生命的凝视：卡蒂埃·布列松的摄影作品解读
The Gaze of Life: Photographic Interpretations by Cartier Bresson

陈祥娜

福柯权力理论视角下的《全网公敌》权力研究
Research on the Power of Hated in the Nation from the Perspective of Foucault’s Power Theory

薛淙元

功夫影视剧中民族英雄“霍元甲”与其历史原型对比分析(2006~2021年)
Comparative Analysis of the National Hero Huo Yuanjia and Its Historical Prototype in Kung Fu Film and TV Series (2006 to 2021)

于凯岩, 周啸天, 孙健

肉体、身份与人性：基于梅洛·庞蒂身体哲学对《人潮汹涌》的身体叙事分析
Body, Identity and Human Nature: An Analysis of Body Narrative in “Endgame” Based on Merleau Ponty’s Body Philosophy

石中玉

新世纪我国女性电影现状及发展策略管窥
On the Current Situation and Development Strategy of Women’s Films in China in the New Century

袁媛, 马超, 叶联杰

视知觉视阈下解读中国山水画
Interpretation of Chinese Landscape Painting under the Threshold of Visual Perception

张思路

基于编辑理论的泰国电视剧《以你的心诠释我的爱》分析
Analysis of Thai TV Drama “I Told Sunset about You” Based on Editing Theory

谢淼

近现代大师李可染先生与同时期几位画家写生状态研究
A Study on the Sketching State of the Modern Master Mr. Li Keran and Several Painters of the Same Period

李云霞

苗族传统体育活动打手毽的视觉形象设计研究
Research on Visual Image Design of Shuttlecock of Miao Traditional Sports Hitters

温清, 朱颖茜, 彭梦晴

川南苗族头饰造型与艺术特色研究
A Study on the Modeling and Artistic Characteristics of Miao Headdress in Southern Sichuan

贺顺茹

乱世家国中梨园遇知己——探析电视剧《鬓边不是海棠红》的成功因素
Meet the Confidant in Operatic Circle at Time of Turmoil—Exploring the Success Factors of the TV Series “Winter Begonia”

谢嘉丽

“二战”犹太儿童题材电影研究：基于近十年法国电影的考察(2010~2021)
A Study of Jewish Children’s Film in the Second World War: An Examination of French Film in the Last Decade (2010~2021)

明玥

基于艺术哲学和大众文化理论的视角看当代中国流行音乐
Contemporary Chinese Pop Music from the Perspective of Art Philosophy and Popular Culture Theory

米熳俊, 古锐

影片《天才少女》中代际投射解析
Analysis of Intergenerational Projection in Film Gifted

陈诺, 李燕

洪湖苏区红色歌谣研究
Research on the Red Songs of Honghu Soviet Area

周文珺

浅析《非常嫌疑犯》中不可靠叙述手法的运用
Analysis of the Use of Unreliable Narrative Techniques in The Usual Suspects

张睿之

新时代影视剧女性群像建构——基于女性角色的台词分析
The Construction of Female Group Images in Film and Television Dramas in the New Era—An Analysis of Lines Based on Female Roles

刘中钰, 肖涛

儿童拐卖案件中受害者的身份重建——以《亲爱的》和《海洋深处》为例
Identity Reconstruction of the Victims in Child Abducting Cases—Taking Dearest and Deep End of the Ocean as Examples

宋庆宝

浅析电影《非常嫌疑犯》的叙事结构——基于罗伯特·麦基的故事理论
Analysis of the Narrative Structure of the Film The Usual Suspects—Based on Robert McKee’s Story Theory

唐莎莎

电影《非常嫌疑犯》中视觉空间下凝视关系的转向
The Turning of Gaze Relationship in Visuospace in the Movie The Usual Suspects

韩政汝

“酷儿”理论视域下电影《夜间飞行》的身份认同
The Identity of the Film “Night Flight” from the Perspective of Queer Theory

曾思繁

浅谈夏加尔绘画艺术与情感表达
Talking about Chagall’s Painting Art and Emotional Expression

肖盈盈, 韩中罡

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