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Art Research Letters

ISSN Print: 2326-3474

ISSN Online: 2326-3482

Website: http://www.hanspub.org/journal/arl

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中国文艺美学视域下“释家人物形象”研究——以汪曾祺《受戒》为例
Research on the “Character Image of the Buddhism” from the Perspective of Chinese Literary Aesthetics —Taking Wang Zengqi’s “The Love Story of a Young Monk” as an Example

时颖, 高宇皓

基于TouchDesigner数字媒体技术的动态海报设计创新
Dynamic Poster Design Innovation Based on TouchDesigner Digital Media Technology

马倩倩

中国男性向网络动漫中的女性形象研究——以腾讯视频中的中国男性向动漫为例
Research on Female Images in Online Animation by Chinese Male-Oriented—Taking the Chinese Male-Oriented Animation in Tencent Video as an Example

杨谨

基于媒介融合时代下广告设计的创新研究
Innovative Research on Advertising Design in the Era of Media Convergence

吕茜

弗洛伊德精神分析学视域下的电影《无姓之人》
The Movie “Mr. Nobody” from the Perspective of Freudian Psychoanalysis

张书源

本土美的艺术化表达赋能乡村建设——以双廊古镇为例
The Artistic Expression of Local Beauty Empowers Rural Construction—Taking Shuanglang Ancient Town as an Example

刘铭

言不尽意：从哲学到舞蹈艺术的审美意蕴与演绎实践
Unspoken Intent: From Philosophy to the Aesthetic Connotations and Interpretive Practices of Dance Art

孙玮志

存在主义哲学生死观视阈下的《无姓之人》
The Concept of Life and Death in Mr. Nobody from the Perspective of Existentialist Philosophy

陈云虹

以萨特存在主义分析电影《岛上书店》的主人公A.J.费克里
Analyzing the Protagonist A.J. Fikry of the Movie “The Storied Life of A.J. Fikry” through Sartre’s Existentialism

阿迪莱·麦提图尔荪

穿越时间的自我寻觅：从萨特存在主义视角看《无姓之人》
Self-Search through Time: Interpretation of the “Mr. Nobody” from the Perspective of Sartre’s Existentialism

邓寒冰

知觉、自由与他者：梅洛–庞蒂身体现象学视域下《无姓之人》的存在之思
Perception, Freedom, and the Other: Reflections on the Existence of Mr. Nobody from the Perspective of Merleau Ponty’s Phenomenology of the Body

王涵

白鹤梁题刻文脉探秘
Exploring the Cultural Context of the White Crane Ridge Inscription

乔宇洁, 邓德祥

安徽灵璧地区钟馗画传承与发展调研
Research on the Inheritance and Development of Zhong Kui Paintings in Lingbi, Anhui

华新宇

梵高与安塞尔姆·基弗作品中的向日葵符号比较研究
A Comparative Study of the Sunflower Symbols in the Works of Van Gogh and Anselm Kiefer

韩一奇

评剧“爱派”的兴衰
The Rise and Fall of Pingju “Ai Pai”

苏渊, 王雅博

论徽州传统民居建筑中天井的美学特征
On the Aesthetic Characteristics of Patio in Huizhou Traditional Residential Buildings

康宏云

张眉孙水彩画的后印象派画法实践
Practice of Post Impressionist Painting Techniques in Zhang Meisun’s Watercolor Painting

李宜臻

凤翔泥塑艺术特征与产品创新
The Artistic Characteristics and Product Innovation of Fengxiang Clay Sculpture

李宜臻

《无姓之人》叙事策略的德里达式解构
The Derrida-Style Deconstruction of the Narrative Strategy in Mr. Nobody

张小欢

德国木刻版画的现代复兴
The Modern Revival of German Woodcut Prints

许慧嘉

非遗元素在电视剧中的“三维”植入与传承——以《最食人间烟火色》为例
The “Three-Dimensional” Implantation and Inheritance of Intangible Cultural Heritage Elements in TV Dramas—Taking The Most Human Flame Colors as an Example

张铭铭

电影《某种物质》主人公伊丽莎白的人格结构分析
Analysis of Elizabeth’s Personality Structure in the Film The Substance

陈微微, 李燕

丝路文化在主题餐厅设计中的应用研究
Research on the Application of Silk Road Culture in Theme Restaurant Design

马逸华

后人类主义视域下IP电影《哪吒之魔童降世》的多维解析
A Multidimensional Analysis of the IP Film Nezha: Birth of the Demon Child in the Perspective of Posthumanism

邵德林, 贺晓娇

数字雕塑艺术的市场趋势与社会经济价值研究
Research on the Market Trends and Socio-Economic Value of Digital Sculpture Art

侯兰柯

《我们一起摇太阳》：疾病与去苦难化叙事下向死而生的生命哲思
Shaking the Sun Together: Philosophical Reflections on Life and Death in the Context of Illness and the Narrative of De-Suffering

董维芳

试论丁托列托绘画中的现代性
On Modernity in Tintoretto’s Paintings

韩一奇

收到AIGC技术赋能下动画模式的变革构建动画教育未来生态
AIGC Technology Enables the Transformation of Animation Mode to Build the Future Ecology of Animation Education

王紫妍

中美在死亡观上的差异——以电影《别告诉她》为例
A Brief Analysis of the Differences in the View of Death between China and America from The Farewell

蒋会君, 郭远

浅析《全网公敌》的“三幕式”叙事策略
A Brief Analysis of the “Three Acts” Narrative Strategy in “Public Enemy of the Internet”

曾妮

当代中国水墨画的数字化实践与创新路径研究
Research on the Digital Practice and Innovation Path of Contemporary Chinese Ink Painting

赵潼

《全网公敌》主题寓意研究——基于群氓理论及网络暴力视角
Research on the Thematic Implication of “The Enemy of the Whole Network”—Based on Mob Theory and Internet Violence Perspective

赵瑛迪

晨晓的绘画特点与创作成就——以《新富春山居图》为例
Chen Xiao’s Painting Characteristics and Creative Achievements —Taking the “New Fuchun Mountain Dwelling Map” as an Example

朱婉菁, 邝慧仪

潍坊奎文区元代壁画墓搬迁保护研究
Study on the Relocation and Conservation of Yuan Dynasty Mural Tomb in Weifang Kuiwen District

马嘉豪, 王一凡, 徐兴彬

基于科学知识图谱的我国体育摄影研究进展可视化分析
Visual Analysis of My Country’s Sports Photography Research Progress Based on Scientific Knowledge Graph

栾冰洁

《长安三万里》——穿越时空的文化之旅
《The Three Thousand Miles of Chang’an》—A Cultural Journey through Time

孙玮志

“非遗学”视阈下年画艺术的审美转向及其困境与出路
The Aesthetic Turn of New Year Picture Art and Its Dilemma and Outlet under the Perspective of “Intangible Cultural Heritage”

刘军

近四十年新疆曲子剧研究综述
An Overview of the Research on Xinjiang Quzi Opera in the Past Forty Years

谭秀玲, 程瑶

日剧《重启人生》：女性主义影视作品新尝试
Japanese TV Drama “Brush up Life”: A New Attempt of Feminist Film and Television

郭晶晶

阿瑟·丹托“艺术终结论”视角下艺术与生活的关系
The Relationship between Art and Life from the Perspective of Arthur Danto’s “The End of Art”

杜政鸿

仇英《蜀川佳丽图》山水叙事研究
Landscape Narrative of Qiu Ying’s “Journey to Shu”

魏宇

论现代建筑的形式逻辑：理性原则的递归
Formal Logic in Modern Architecture: Recursion of Rational Principles

成雨潼

浅析中国传统漆艺的历史发展脉络与文化价值
Analyzing the Historical Development and Cultural Value of Traditional Chinese Lacquer Art

李虹霏, 彭博芳

戏剧影视美术设计中的色彩心理学分析与应用研究
Analysis and Application Research on Color Psychology in Drama, Film and Television Art Design

甄鑫

现代中国形象的艺术诠释——基于杭州第十九届亚运会官方海报的探究
Artistic Interpretation of Modern China’s Image—Based on the Exploration of the Official Poster of the 19th Asian Games in Hangzhou

刘晋, 鹿栋

观形与悟理：华嵒《天山积雪图》图像叙事研究
Viewing Form and Understanding Reason: A Study of Image Narration in Hua’s Snow Cover in the Tianshan Mountains

林赛娅

女性主义视角下的“观看之道”
The “Way of Seeing” from the Perspective of Feminism

瞿敏玟

后现代社会的伦理困境：《黑镜·全网公敌》的刺点理论分析
Ethical Dilemmas in Postmodern Society: The Punctum Theory Analysis of Black Mirror？Hated in the Nation

卢晴

新世纪中国电视女性角色的“集合身份”——近十五年来白玉兰“最佳女演员”奖项获得饰演女性角色的伸缩与尝试
The “Collective Identity” of Female Characters in Chinese TV in the New Century—The “Best Actress” Award of Magnolia in the Past 15 Years Has Won the Expansion and Attempt of Playing Female Characters

寇政文

韦斯·安德森电影空间的割裂性研究
Research on the Fragmentation of Wes Anderson’s Film Space

龚书卉

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