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ISSN Print: 2636-784X

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THE EFFECT OF SOUND DESIGN ON NARRATIVES IN COMEDY: THE EXAMPLE OF A？LE ARASINDA

Ankara International Film Festival: Thirty Years, Three Opinions

THE STRUGGLE OF WOMAN AGAINST HOLY NARRATIVES: THE FEMALE CHRIST FIGURE IN BREAKING THE WAVES

RABBITS’ EYES VIEW, INVOLVING RABBITS: A DIFFERENT KIND OF BERLIN WALL DOCUMENTARY

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FAITH AND ALIENATION IN THE SHADOW OF POWER: THE DEVILS

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South Korean Government's Cultural Policies and Regulations For the Movie Industry

The Last Visit of The German Emperor Wilhelm II to The Ottoman Empire (1917)

Researching Past Cinema Audiences: Archives, Memories and Methods

AN ANGEL IN HELL: ARTUR BRAUNER AND THE ATTEMPT TO MAKE A GERMAN OSKAR- SCHINDLER-BIOPIC

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Urban Transformation in Turkish Cinema of The 2000s

REGULATING EXHIBITIONS AT CINEMA-HOUSES IN IMPERIAL ISTANBUL

Author Guidelines

？imdiki Zaman: Analyzing Women Characters' Representation in Spaces Within the Scope of Feminist Film Criticism

City and Anti-Spectacle: Cine-Mythic Images of Istanbul

Cinema History of the Ottoman Empire and Modern Turkey: Method, and Approaches

AMBIGUITIES AND DOUBLE VOICES IN BARRAVENTO

The Fiction of an Alternative World in The Brand New Testament: The Fatherhood Crisis and Matriarchal Utopia

Diary For My Loves: Notes From Márta Mészáros To The History

The Historical Film As Real History

What Do the Digital Methods, and Tools Promise for Studies of the History of Turkish Cinema?

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