This study examines female agency and social constraints in both Pride and Prejudice [1] and Sense and Sensibility [2], arguing that Jane Austen depicts the protagonists in both novels as individuals who negotiate their rights, resist patriarchal constraints, and shape societal expectations of women. Through an analysis of the female characters in each novel, this research demonstrates that Austen represents her female characters not through rebel-lion but through moral judgment, rational decision-making, self-control, an emancipated mindset, and witty ideals. Accordingly, this study employs social constructivism and feminist literary criticism as its principal frame-works, which together contribute to the examination of the portrayal of human relationships. Furthermore, the study highlights marriage, inheritance laws, financial security, and class hierarchy as central mechanisms that shaped a woman’s future. It also shows how Austen’s ideas about literature both predicted and contributed to the late eighteenth and early nine-teenth-century debates about identity, gender, and social order by situating these narratives within the circumstances of the societal borderline.
Cite this paper
Shllaku, Z. (2026). Female Agency and Social Constraints in Jane Austen’s Pride and Prejudice and Sense and Sensibility. Open Access Library Journal, 13, e15362. doi: http://dx.doi.org/10.4236/oalib.1115362.
Poovey, M. (1984) The Proper Lady and the Woman Writer: Ideology as Style in the Works of Mary Wollstonecraft, Mary Shelley, and Jane Austen. University of Chicago Press.
Berger, P.L. and Luckmann, T. (1991) The Social Construction of Reality: A Treatise in the Sociology of Knowledge. Penguin Books. (Original Work Published 1966)
Cavendish, R. (2011) Publication of Sense and Sensibility “By a Lady”. History Today. https://www.historytoday.com/archive/publication-sense-and-sensibility-%E2%80%98-lady%E2%80%99