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OALib Journal期刊
ISSN: 2333-9721
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Shomei Tomatsu: The Deep Connection between Life and Creation and the Development of Postwar Japanese Photography and Photographers

DOI: 10.4236/oalib.1112287, PP. 1-7

Subject Areas: Culture

Keywords: Shomei Tomatsu, Japanese Photography, Postwar Art, Social Documentary, Cultural Influence

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Abstract

This paper mainly discusses the life background, unique creative style and photographic works of Japanese photographer Shomei Tomatsu (1930-2012), and discusses his relationship with the development of postwar Japanese photography, as well as his far-reaching influence on many Japanese photographers. Born during the war, Shomei Tomatsu’s passion for photography drove him to stand out during his university years, and after graduation, he became a freelance photographer and reached his creative peak. His works are unique and varied, integrating various elements, with excellent use of light and color. He often explores his own identity through self-portraits. He reflects the social conditions and changes of post-war Japan, focusing on its historical development as the main line, such as the “Chewing Gum and Chocolate” series, expressing his concern about the “Americanization” phenomenon and his insistence on cultural autonomy. His works are not only personal memories, but also a profound witness to the social and cultural life of post-war Japan. They have also had a profound influence on many Japanese photographers, showcasing the complexity and diversity of post-war Japanese society.

Cite this paper

Wang, X. (2024). Shomei Tomatsu: The Deep Connection between Life and Creation and the Development of Postwar Japanese Photography and Photographers. Open Access Library Journal, 11, e2287. doi: http://dx.doi.org/10.4236/oalib.1112287.

References

[1]  Song, X.H. (2024) Post-War Japanese Photography Research under the Aesthetics of Material Sorrow. Shandong Normal University.
[2]  Wang, R. (2014) A Challenging Exhibition—Reading “Things Have Changed: World Photography since 1960s and 1970s” (Middle). Photographer in China.
[3]  Yu, T. (2023) Japanese “Provoke” Group Photography Research. Guangxi Normal University.
[4]  Xia, F. (2014) Taking a Typical Photographer as an Example to Analyze Japan’s Post-War National Mental State. Nanjing Normal University.

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