全部 标题 作者
关键词 摘要

OALib Journal期刊
ISSN: 2333-9721
费用:99美元

查看量下载量

Petro-Fiction and Pseudo-Environmental Activism: The Defining Moments in Chimeka Garricks’ Tomorrow Died Yesterday

DOI: 10.4236/oalib.1109421, PP. 1-16

Subject Areas: Literature

Keywords: Eco-Activism, The Tripartite System of Ruination, Slow Violence, Deep Ecology, Pseudo-Environmentalist

Full-Text   Cite this paper   Add to My Lib

Abstract

This study asserts that Chimeka Garricks’ Tomorrow Died Yesterday illustrates pseudo-environmentalism, which exemplifies the need to pay attention to the various social issues marauding postcolonial societies mostly because of the indiscriminate plundering of humans and the environment. There is the need to consider the implication of neo-colonialism prevalent in the narrative, to discuss the factors stamping the choices of those advocating for an ecologically minded society. It is pertinent to identify what Olaoluwa Senayon calls the “tripartite system of ruination”—the oil companies in the region, the government’s agencies and the militants though there is a fourth identified and that is a group of individuals who enhances corruption in the region and the need to protect the environment alongside other social justice environmentalists seek. Garricks proves in the narrative the inconsistencies that surround the struggle or advocacy for ecological issues in Africa—the continent has some other socio-political and economic concerns and not until Africa gets to that level where corruption is curbed and there is a working system, many who desire to be environmentalists like those in the western societies will still be caught in the web of trouble with “the powers that be”, just as in the case of Amaibi. Therefore, the narrative falls short in its portrayal of an ideal ecocritical or eco-activist writing, using western ecocritical fundamentals. Arguably, the Niger Delta is already experiencing the apocalypse caused by the destruction of the natural habitat while western environmentalists are theorizing about it.

Cite this paper

Fakemi, A. (2022). Petro-Fiction and Pseudo-Environmental Activism: The Defining Moments in Chimeka Garricks’ Tomorrow Died Yesterday. Open Access Library Journal, 9, e9421. doi: http://dx.doi.org/10.4236/oalib.1109421.

References

[1]  Garricks, C. (2011) Tomorrow Died Yesterday. Paperworth Books Limited, Abuja.
[2]  Rigby, K. (2017) The Ecological Turn in Literary Studies. Online Video Recording, YouTube. https://youtu.be/M4ufeMLo-os/
[3]  Glotfelty, C. and Fromm, H. (1996) The Ecocriticism Reader: Landmarks in Literary Ecology. University of Georgia Press, Athens, xviii.
[4]  Buell, L. (2006) The Future of Environmental Criticism: Environmental Crisis and Literary Imagination. Blackwell Publishing, Oxford, 2.
[5]  Murdoch, J. (2006) Post-Structuralist Geography: A Guide to Relational Space. SAGE Publications, Thousand Oaks, 456-458. https://doi.org/10.4135/9781446221426
[6]  Martin, J. (2017) Natures of Africa: Ecocriticism and Animal Studies in Contemporary Cultural Forms. Tydskrif Vir Letterkunde, 54, 177-180. https://doi.org/10.17159/2309-9070/tvl.v.54i2.2979
[7]  Huggan, G. and Tiffin, H. (2010) Postcolonial Ecocriticism. Literature, Animals, Environment. Routledge, London, 5-16. https://doi.org/10.4324/9780203498170
[8]  Lawrence, B. (2011) Ecocriticism: Some Emerging Trends. Qui Parle: Critical Humanities and Social Sciences, 19, 87-115. https://doi.org/10.5250/quiparle.19.2.0087
[9]  Gerrard, G. (2004) Ecocriticism: A New Critical Idiom. Routledge, London, 3.
[10]  Hiltner, K. (2015) Ecocriticism: The Essential Reader. Routledge, London, 131.
[11]  Murphy, P.D. (2000) Farther Afield in the Study of Nature-Oriented Literature. University of Virginia Press, Charlottesville, 58.
[12]  Alaimo, S. (2008) Trans-Corporeal Feminisms and the Ethical Space of Nature. In: Alaimo, S. and Hekman, S., Eds., Material Feminisms, Indiana University Press, Bloomington, 237-264.
[13]  Ghosh, A. (2002) Petrofiction: The Oil Encounter and the Novel. In: Ghosh, A., Ed., The Imam and the Indian, Ravi Dayal Publisher, New Delhi, 75.
[14]  Szeman, I. (2012) Introduction to Focus: Petrofictions. American Book Review, 33, 3.
[15]  Macdonald, G. (2017) “Monstrous transformer”: Petrofiction and World Literature. Journal of Postcolonial Writing, 53, 289-302. https://doi.org/10.1080/17449855.2017.1337680
[16]  Rubenstein, M. (2014) Petro-. The 2024 Report on the State of the Discipline of Comparative Literature. https://stateofthediscipline.acla.org/entry/petro#:~:text=Michael/
[17]  Ibaba, S., et al., (2012) Introduction. In: Ukaga, O., Ukiwo, U.O. and Ibaba I.S., Eds., Natural Resource, Conflict, and Sustainable Development Leaaona from the Niger Delta, Routledge, London, 219-227.
[18]  Peel, M. (2009) A Swamp Full of Dollars: Pipeline and Paramilitaries at Nigeria’s Oil Frontiers. Lawrence Hill Books, Illinois, 7.
[19]  Anwuri, I. and Olanrewaju, A.B. (2020) Reflections on Eco-Activism in the Niger Delta in Chiemeka Garricks’ Tomorrow Died Yesterday. International Journal of Advanced Academic Research, 6, 1-12. https://doi.org/10.46654/ij.24889849.a6317
[20]  Terngu, T.H. (2020) The Postcolonial Challenge of Oil Bunkering and Kidnapping in The Niger Delta: A Study of Chimeka Garricks’ Tomorrow Died Yesterday. Journal of Languages, Linguistics and Literary Studies, 9, 110-118.
[21]  Ujowundu, C.O. (2015) Beyond Pardon in Niger-Delta Politics: Exploitation and Disillusionment in Chimeka Garricks Tomorrow Died Yesterday and Tanure Ojaide’s The Activist. Ansu Journal of Language and Literary Studies, 1, 169-189.
[22]  Oyebanji, A. (2013) Review: Tomorrow Died Yesterday by Chimeka. Critical Literature Review. https://criticalliteraturereview.blogspot.com/2013/05/tomorrow-died-yesterday-by-chimeka.html
[23]  Ohagwam, U. (2022) The Politics of the Novel in the Niger Delta: From Kaine Agary to Chimeka Garricks. World Journal of Social Science Research, 9, 55-63. https://doi.org/10.22158/wjssr.v9n2p55
[24]  Nixon, R. (2011) Slow Violence and Environmentalist of the Poor. Harvard University Press, Cambridge, 69. https://doi.org/10.4159/harvard.9780674061194
[25]  Angira, J. (2015) Expelled by Jared Angira. http://africanpoemarchives.blogspot.com/2015/06/expelled-by-jared-angira.html
[26]  Alighieri, D. and Ciardi, J. (1970) The Divine Comedy. W. W. Norton & Company, New York.
[27]  Olaoluwa, S. (2020) Dislocating Anthropocene: The City and Oil in Helon Habila’s Oil on Water. Interdisciplinary Studies in Literature and Environment, 27, 234-267. https://doi.org/10.1093/isle/isz104

Full-Text


comments powered by Disqus

Contact Us

service@oalib.com

QQ:3279437679

WhatsApp +8615387084133

WeChat 1538708413