全部 标题 作者
关键词 摘要

OALib Journal期刊
ISSN: 2333-9721
费用:99美元

查看量下载量

Attitudes and Behaviors toward Street Musicians in Live Performances

DOI: 10.4236/oalib.1109046, PP. 1-9

Subject Areas: Sociology

Keywords: Street Performers, Audience Behaviors, Live Performance, Attitude, Motivation

Full-Text   Cite this paper   Add to My Lib

Abstract

This study investigated the audience’s attitudes and behaviors toward street musicians in live performances. Additionally, it explored the performative aspects that influenced behavioral responses. The sample was formed by 42 street performers, simplified, and made into an online questionnaire. In a second moment, 125 people who have participated as an audience in some urban performances worldwide completed another section of the questionnaire. The total sample was 167 responders. Data were analyzed by deploying the graphs to identify the outcomes cluster in four themes: The motivation of the audience to watch the performance, The attitude toward the performers, and the experience by both parties, either in a positive or a negative approach. The observation study was developed in 7 different spots, with 50 performances in New York City. The survey study’s significant findings reported that the audience was thrilled contemplating the Street performers on their commute. That is, the commute turns out to be agreeable. Over and above that, the observation study distinguishes the audience connection through the emotional reference. For instance, to the same degree as pop music, they identified songs conducted them to sing along. Withal, we observed that the musicians connected to the artistic environment. Our results showed that the quality of music, age, concentration skill, and environmental factors could contribute to the positive interaction between buskers and bystanders. The results supported our prediction and did not show considerate deviations in the responses.

Cite this paper

Vasconcelos, P. (2022). Attitudes and Behaviors toward Street Musicians in Live Performances. Open Access Library Journal, 9, e9046. doi: http://dx.doi.org/10.4236/oalib.1109046.

References

[1]  Cohen, D. and Greenwood, B. (1981) The Buskers: A History of Street Entertainment. David and Charles, London.
[2]  Smith, M. (1996) Traditions, Stereotypes, and Tactics: A History of Musical Buskers in Toronto. Canadian Journal for Traditional Music, 24, 6-22
[3]  Sloboda, J.A. (2010) Music in Everyday Life: The Role of Emotions. In: Juslin, P.N. and Sloboda, J.A., Eds., Handbook of Music and Emotion: Theory, Research, Applications, Oxford University Press, Oxford, 493-514.
[4]  Brand, G. Sloba, J. and Saul, B. (2012) The Reciprocal Relationship between Jazz Musicians and Audiences in Live Performances: A Pilot Qualitative Study. Psychology of Music, 40, 634-651. https://doi.org/10.1177/0305735612448509
[5]  Yang, W.-T. and Lin, Y.-H. (2018) A Study on the Audience Attitudes towards Street Performers and Their Motivations for Tipping: The Case of Calligraphy Greenway, Taichung, Taiwan. The International Journal of Organizational Innovation, 11, 40-61. http://www.ijoi-online.org
[6]  Anglada-Tort, M., Thueringer, H. and Omigie, D. (2019) The Busking Experiment: A Field Study Measuring Behavioral Responses to Street Music Performances. Psychomusicology: Music, Mind, and Brain, 29, 46-55. https://doi.org/10.1037/pmu0000236
[7]  Mason, B. (1992) Street Theatre and Other Outdoor Performance. Routledge, London.
[8]  Tanenbaum, S.J. (1995) Underground Harmonies: Music and Politics in the Subways of New York. Cornell University Press, Ithaca.
[9]  Stabler, S. and Mierisch, K. (2021) The Street Music Business: Consumer Responses to Buskers Performing on the Street and on Online Video Platforms. Marketing Letters, 33, 325-350. https://doi.org/10.1007/s11002-021-09566-8
[10]  Papies, D. and van Heerde, H. (2017) The Dynamic Interplay between Recorded Music and Live Concerts: The Role of Piracy, Unbundling, and Artist Characteristics. Journal of Marketing, 81, 67-87. https://doi.org/10.1509/jm.14.0473
[11]  Kringelbach, M.L., Lehtonen, A., Squire, S., Harvey, A.G., Craske, M.G., Holliday, I.E., Green, A.L., Aziz, T.Z., Hansen, P.C., Cornelissen, P.L. and Stein, A. (2008) A Specifc and Rapid Neural Signature for Parental Instinct. PLOS ONE, 3, e1664. https://doi.org/10.1371/journal.pone.0001664
[12]  Parbery-Clark, A., Skoe, E. and Kraus, N. (2009) Musical Experience Limits the Degradative Effects of Background Noise on the Neural Processing of Sound. Journal of Neuroscience, 29, 14100-14107. https://doi.org/10.1523/JNEUROSCI.3256-09.2009
[13]  Moon, S., Kang, M.Y., Bae, Y.H. and Bodkin, C.D. (2018) Weather Sensitivity Analysis on Grocery Shopping. International Journal of Market Research, 60, 380-393. https://doi.org/10.1177/1470785317751614
[14]  Rind, B. (1996) Effect of Beliefs about Weather Conditions on Tipping. Journal of Applied Social Psychology, 26, 137-147. https://doi.org/10.1111/j.1559-1816.1996.tb01842.x
[15]  Kolesch, D. and Knoblauch, H. (2019) Audience Emotions. In: Slaby, J. and von Scheve, C., Eds., Affective Societies—Key Concepts, Routledge, London, 252-265. https://doi.org/10.4324/9781351039260-22
[16]  Willer, R., Wimer, C. and Owens, L.A. (2015) What Drives the Gender Gap in Charitable Giving? Lower Empathy Leads Men to Give Less to Poverty Relief. Social Science Research, 52, 83-98. https://doi.org/10.1016/j.ssresearch.2014.12.014
[17]  Andriyanto, O.D., Sulistiani, S. and Mr., S. (2018) Marginalized “Door-to-Door” Street Musicians: A Case Study of Street Musician in Surabaya. In: 2nd Social Sciences, Humanities and Education Conference: Establishing Identities through Language, Culture, and Education (SOSHEC 2018), Atlantis Press, Amsterdam, 375-378.

Full-Text


comments powered by Disqus

Contact Us

service@oalib.com

QQ:3279437679

WhatsApp +8615387084133

WeChat 1538708413