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National and Cultural Connotations in Terms of Foreign Language Acquisition
Marina V. Pimenova
European Journal of Contemporary Education , 2013,
Abstract: The article analyses ethno-cultural words connotations, which are usually ignored when acquiring foreign languages. Standard dictionaries don’t always contain such connotations. Modern linguistics demands the design of new type of dictionaries – the dictionary of ethno-cultural connotations.
基于文化结构四层次的颜色词文化内涵分析
Cultural Connotation Analysis of Color Words Based on Four Levels of Cultural Structure  [PDF]
林依晴
Chinese Traditional Culture (CnC) , 2023, DOI: 10.12677/CnC.2023.113038
Abstract: 汉语中的颜色词承载着丰富的文化内涵。本文试以“文化结构的四层次”为论述的框架，选取青、黄、紫等不同颜色词，从物态文化层、制度文化层、行为文化层由浅入深进行探讨；再由具体到抽象，于心态文化层联系中国传统五色文化与五行学说，探讨思维与语言的关系，探寻中华民族的价值观念和思维方式。最后又由抽象回归直观可视的现实，结合颜色词在实际生活中的运用做了拓展。
Color words in Chinese carry rich cultural connotations. This article attempts to use the “four levels of cultural structure” as the framework for discussion, selecting different color words such as blue, yellow, and purple, and exploring them from the level of physical culture, institutional culture, and behavioral culture from shallow to deep; From concrete to abstract, connect traditional Chinese five color culture and five element theory at the level of mentality and culture, explore the relationship between thinking and language, and explore the values and ways of thinking of the Chinese nation. Finally, it expanded from abstraction to intuitive and visible reality, combined with the application of color words in real life.
试析贵州蜡染图画中苗族图腾文化的内涵
Analysis of the Hmong Totem Cultural Connotation in Guizhou Batik Paintings  [PDF]
陈金桃, 赵丽玲
Chinese Traditional Culture (CnC) , 2014, DOI: 10.12677/CnC.2014.22002
Abstract:
贵州古朴的蜡染文化是苗族图腾文化的产物，至今仍保持着惊人的生命力。无论是蝴蝶纹、鸟纹、鱼纹、花草纹，还是龙纹等等，都取自大自然，苗族人崇拜它们并奉为氏族图腾，寄托着原始而又真挚的积极生命观，传达了一种万物有灵、万命同源、众生平等、和谐共处的理念。古代苗文化与华夏文化存在着千丝万缕的联系。
As a product of ancient Hmong Totem culture, Guizhou Batik Art has kept its amazing vitality. They are all taken from nature, regardless of the pattern of butterfly, bird, fish, flowers and stripes, or dragons. They are worshiped by Hmong people as their clan totem entrusted with a primitive and positive view of life that can convey an idea of animism, homology, equality and harmony among all creatures. There are inextricable links between ancient Hmong culture and Chinese culture.
中韩基本颜色词的文化内涵的异同——以“白”、“黑”、“红”、“绿”、“黄”为例
Similarities and Differences in the Cultural Connotations of Basic Color Words in China and Korea—Taking “White”, “Black”, “Red”, “Green” and “Yellow” as Examples  [PDF]
许英慧
Modern Linguistics (ML) , 2023, DOI: 10.12677/ML.2023.116349
Abstract: 汉语和韩语虽然是两种完全不同的语言，但是中国和韩国同属于“汉字文化圈”，历史渊源深厚。本文将以“白”、“黑”、“红”、“绿”、“黄”为例，对汉语和韩语中颜色词的民族观和文化内涵进行对比。考察得知，两种语言的颜色词所蕴含的文化内涵有一定的相似之处，同时由于两国在民族风俗和民族思维方式上的差异，这些颜色词的文化内涵也会存在差异。了解汉韩颜色词文化内涵差异对韩国人学习汉语，中国人学习韩语，以及跨文化交际都有非常重要意义。
Although Chinese and Korean are two completely different languages, China and Korea belong to the “Chinese character cultural circle” and have deep historical ties. This paper will take “white”, “black”, “red”, “green” and “yellow” as examples to compare the ethnic views and cultural connotations of color words in Chinese and Korean. The investigation revealed that there are certain similarities in the cultural connotations of color words in the two languages, and at the same time, due to the differences in national customs and national ways of thinking between the two countries, the cultural connotations of these color words will also be different. Understanding the cultural differences between Han and Korean color words is very important for Koreans to learn Chinese, Chinese learn Korean, and cross-cultural communication.
符号学视域下的媒介形象研究——以我国征兵广告为例
A Study on the Media Image from the Perspective of Semiotics—A Case Study of China’s Recruitment Advertisements  [PDF]
杨洋, 陈凝, 邓仟
Journalism and Communications (JC) , 2024, DOI: 10.12677/jc.2024.122066
Abstract: 近年来，随着征兵的热潮，每年全国广播电视都会围绕“强国必须强军，军强才能国安”的重要指示精神，制作出一批征兵主题的公益宣传片，这些宣传片在一定程度上能够激发广大青年参军报国的热情，从而达到宣传的效果和目的。本文将从符号学的视角出发，以近几年我国主流媒体所发布的征兵广告为例，对征兵广告中的媒介形象进行具体分析和研究。
In recent years, with the trend of conscription, every year the national radio and television industry has produced a batch of public welfare promotional videos with the theme of conscription around the important directive spirit of “a strong country must have a strong military, and a strong military can ensure national security”. These promotional videos can to some extent stimulate the enthusiasm of young people to participate in the military and serve the country, thereby achieving the effect and purpose of publicity. This article will start from the perspective of semiotics and take the recruitment advertisements published by mainstream media in China in recent years as an example to conduct specific analysis and research on the media image in recruitment advertisements.
Cultural Citizenship and the Malaysian “Salad Bowl”: Teaching Students to Be “Culturally Responsive” at Schools  [PDF]
Nur Atiqah Tang Abdullah, Anuar Ahmad
Creative Education (CE) , 2019, DOI: 10.4236/ce.2019.1012230
Abstract: The role of schools in terms of integration and attaining national unity has recently become a recurring question in Malaysia. Different ideas and emphasis of what each group？“wants”？of education and a nation have already existed among ethnic groups since the pre-independence period. This paper aims to discuss how cultural diversity fosters a sense of competing and contested？“nation-of-intent”？on these characteristics as perception on denominators such as inculcation of cultural competencies would eventually construct and contain cultural citizenship. Students of each ethnic group still perceive and continue to see？“things which matter”？pertaining to social interaction and national unity, only from their acute and myopic perspectives. The novelty of this paper provides rationales as to why cultural citizenship should be addressed as it requires enhancement of students’ understanding of causes and consequences of ethnic diversity and their readiness to take actions to address national unity. Hence it is apparent education stakeholders have yet to develop a coherent framework for cultural citizenship education and this paper underscores the critical role that education should play in addressing and responding to the schools in all of its complexity.
定边方言亲属称谓语研究
Study on Kinship Terms in Dingbian Dialect  [PDF]
尹甜
Chinese Traditional Culture (CnC) , 2025, DOI: 10.12677/cnc.2025.132025
Abstract: 定边方言的亲属称谓语具有其独特的语言现象和文化内涵，基于对亲属关系的分类，探讨定边方言中亲属称谓语的结构特征、构词方式以及文化内涵。定边方言的亲属称谓语通过丰富的构词形式，如偏正型、附加式、重叠式等，展现了方言的复杂性和丰富性，同时反映了陕北地区独特的社会文化背景。特别是其通过数词、形容词和方位名词等元素精细区分亲属关系，体现了中国传统文化中的尊卑有序和长幼有别的观念。这些称谓不仅承载了丰富的文化内涵，也反映了家庭内部的等级关系和中华传统文化的深远影响。
The kinship terms in Dingbian dialect exhibit unique linguistic phenomena and cultural connotations. Based on the classification of kinship relations, this paper explores the structural characteristics, word formation methods, and cultural implications of kinship terms in Dingbian dialect. The kinship terms in Dingbian dialect demonstrate the complexity and richness of the dialect through various word formation patterns, such as modifier-head, affixation, and reduplication. At the same time, they reflect the unique social and cultural background of northern Shaanxi. In particular, the use of numerals, adjectives, and locative nouns to finely distinguish kinship relations embodies the traditional Chinese concepts of hierarchy and respect for seniority. These terms not only carry rich cultural connotations but also reflect the hierarchical relationships within families and the profound influence of traditional Chinese culture.
铜仁寨英万寿宫建筑装饰艺术分析
Analysis of Architectural Decoration Art in Wanshou Palace in Zhaiying, Tongren  [PDF]
龙惠
Chinese Traditional Culture (CnC) , 2025, DOI: 10.12677/cnc.2025.136166
Abstract: 寨英万寿宫位于黔东商贸古镇松桃县寨英镇，是江西商人聚集议事、供奉许逊真君的核心场所，也是他们务实经营需求与祈福精神诉求的具体体现，其发展至今更是明清商帮文化与地域文化交流交融的鲜活见证。本文聚焦于万寿宫的建筑装饰艺术，通过微观解读木雕、石雕及瓦作装饰等具象元素，深入剖析其建筑装饰艺术的价值传递与文化内涵。
The Wanshou Palace in Zhaiying, situated in Zhaiying Town, Songtao County, an ancient commercial hub in the east of Guizhou Province, is a core venue where Jiangxi merchants gathered for discussions and worshipped Xun Xu, the True Lord. It is also a concrete manifestation of their practical business needs and spiritual aspirations for blessings. Its development over time is a vivid testimony to the cultural exchange and integration between the Ming and Qing commercial groups and the local region. This paper focuses on the architectural decorative art of the Wanshou Palace, and through a micro-analysis of concrete elements such as wood carvings, stone carvings, and tile work decorations, it deeply explores the value transmission and cultural connotations of its architectural decorative art.
论中国古典诗词中的“酒”文化
On the “Wine” Culture in Chinese Classical Poetry  [PDF]
周景怡
Chinese Traditional Culture (CnC) , 2026, DOI: 10.12677/cnc.2026.141005
Abstract: 中华文明作为连续性文明的典范，其文化体系以深厚的历史积淀与复杂的符号系统为特征。在此宏阔背景下，酒文化超越了单纯的物质消费层面，演化为一个承载着集体记忆、社会规范与哲学思辨的核心文化符号。它深度参与了中华审美范式的建构，尤其为古典诗词提供了不可或缺的意象资源与灵感源泉，并由此生成一套丰富而独特的诗学表达系统。自其肇始，酒文化便内嵌于中国文人的精神谱系与创作实践之中，对文学本体的演进、文人身份的确立以及社会文化风尚的变迁，均产生了持久而深刻的影响。
As a paragon of a continuous civilization, the cultural system of Chinese civilization is characterized by profound historical accumulation and a sophisticated symbolic system. Against this grand backdrop, wine culture transcends the mere dimension of material consumption and evolves into a core cultural symbol that embodies collective memory, social norms, and philosophical speculation. It has been deeply involved in the construction of the Chinese aesthetic paradigm, and has particularly provided an indispensable source of imagery and inspiration for classical poetry, thereby generating a rich and distinctive system of poetic expression. Since its very inception, wine culture has been embedded in the spiritual pedigree and creative practices of Chinese literati, exerting a lasting and profound impact on the evolution of literary ontology, the establishment of literati identity, and the changes in social and cultural trends.
The Semiotic Analysis on the Appearance of Chinese and American Pavilions in Shanghai Expo
Shirong Zhang,Fan Yang
Journal of Language Teaching and Research , 2012, DOI: 10.4304/jltr.3.1.141-146
Abstract: To avoid the inconvenience caused by cultural misunderstanding, it is necessary to get to know other cultures. World expo provides a chance for people to learn different cultures. As the representatives of their countries, appearance of pavilions can reflect their unique culture vividly. From the perspective of semiotics, this paper mainly analyzes the cultural connotations reflected in the elements of Chinese and American pavilions’ appearance. The paper also discusses the deep roots of differences of the two cultures with the help of Kluckhohn and Strodtbeck’s value orientations.
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