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表演藝術團體導入數位典藏之研究 A Study on the Development of Digital Archives for Performing Arts Groups
Fang-Ling Lin,Hao-Ren Ke
Journal of Educational Media & Library Sciences , 2012,
Abstract: 表演藝術孕育了豐富的文化資產,表演藝術團體運用有限的資源保存其作品,若表演藝術團體導入數位化,進行數位典藏,將能讓表演藝術此一豐富的文化資產得以長久保存。本研究採用質化研究方法,以半結構式深度訪談進行資料蒐集,共訪問十位受訪者,其中包含七家表演藝術團體、兩家學術單位與一家文化機構。本研究旨在探究已實施數位典藏之表演藝術團體的經驗,包括導入動機、導入前後工作流程與組織之差異及面臨之困難、後續效益與加值應用;對於未實施數位典藏表演藝術團體,則瞭解其未導入的原因及導入意願;對於曾與表演藝術團體合作數位典藏的學界或文化機構,則瞭解其與表演藝術團體合作數位典藏之方式。 Performing arts cultivates rich cultural assets. Performing arts groups utilize limited resources to reserve their works. If they can establish digital archives, rich cultural assets can be reserved for a long term. This study adopted the qualitative research approach and conducted semi-structured in-depth interviews to collect data. Ten interviewees, including seven performing arts groups, two academic departments and one cultural institution, were contacted. Through the interviews, this study attempts to investigate the experiences of performing arts groups which have created digital archives, including motivations, processes, organization change, difficulties, benefits, and value-added applications. For those which have not yet created digital archives, this study attempts to understand their reasons and thoughts. In addition, for academic and cultural institutions which have the experiences of cooperating with performing arts groups to establish digital archives, this article tries to understand the cooperation models.
论表演者权——以著作权法第38条的修改为视角
黄宝安
湖南工业大学学报(社会科学版) , 2015,
Abstract: 表演是传播文学艺术作品或艺术表达的重要途径，表演者因表演行为而享有表演者权。但从我国著作权法第38条的规定来看，对表演者权的保护并不充分。为适应科学技术与社会生活的变化，须加强和完善对表演者权的法律保护。这不仅能调动表演者的创作积极性，还能促进文学艺术创作和娱乐产业的进一步繁荣。
论表演者权的法律保护研究
Research on the Legal Protection of Performers’ Right  [PDF]
黄淑莹, 问清泓
Open Journal of Legal Science (OJLS) , 2023, DOI: 10.12677/OJLS.2023.116762
Abstract: 表演者作为文化艺术事业的中坚力量，以其才华、努力和独特的表达方式推动文化事业的繁荣发展。表演者权作为“技术之子”，技术的不断发展给表演者权的保护带来了挑战。表演者权是一项旨在保护表演者权益的法律制度，有助于尊重表演者的创作自由和保护其知识产权。但近年来，我国也出现了一些侵犯表演者权的典型案例，本文将在此基础上分析我国表演者权保护现状存在的三个主要问题：表演者的主体规定不够完善；权利定性不够全面以及尚未建立表演者集体管理组织，进而探讨中国表演者权保护的完善。
As the backbone of the cultural and artistic cause, performers promote the prosperity and devel-opment of the cultural cause with their talents, efforts and unique expressions. As the “son of technology”, the progress of technology promotes its development. However, it has also brought challenges to the protection of the right of performers. Performer rights is a legal system designed to protect the rights and interests of performers, which helps to respect the creative freedom of performers and protect their intellectual property rights. In recent years, there have also been some typical cases of infringement of the rights of performers in China. On this basis, this article will analyze the three main problems existing in the protection of performers’ rights in China. First, the main body regulations of performers are not perfect; second, the characterization of the rights of performers is not comprehensive enough, and third, China has not yet established a collective management organization for performers that can help them solve problems. Finally, we put forward three suggestions on the above issues.
表演与自我：论线下剧本杀文化心理现象
Performance and Self: On the Psychological Phenomenon of Offline Script Killing  [PDF]
刘权阅
Advances in Psychology (AP) , 2023, DOI: 10.12677/AP.2023.139478
Abstract: 剧本杀作为如今爆火的线下娱乐项目，与其他线下爆火的娱乐项目比较，剧本杀最大的特色在于“扮演”角色去“互动表演”。虽然不确定的剧本杀质量在阻碍这一形式顺利进行，但不可否认在这种表演的情境下隐藏着游戏中“自我”心理的表达，这种“自我”表达通过思索，可以使人对的自我进行反思，使人从“剧本杀”中得到自我的心理满足。
Script Kill, as a popular offline entertainment project today, compared with other offline popular entertainment projects, the biggest feature of Script Kill is to “play” the role to “interactive perfor-mance”. Although the uncertain quality of script killing hinders the smooth progress of this form, it is undeniable that in the context of this performance, there is a hidden expression of the “self” psy-chology in the game, and this “self” expression can make people reflect on their self through think-ing, so that people can get their own psychological satisfaction from “script killing”.
“表演”视角下的高校体育教学设计
何钢
- , 2015,
Abstract:
当代民族器乐表演人才能力提升内生逻辑研究
Research on the Endogenous Logic of Improving the Ability of Contemporary National Instrumental Music Performers  [PDF]
孔文婷
Advances in Education (AE) , 2024, DOI: 10.12677/ae.2024.14112156
Abstract: 民族器乐人才的培养面临学生专业水平参差不齐、学习动力不足、缺乏明确目标和创新精神等方面的挑战。以提升教育质量为目标，从演奏基础的客观性、音乐人才培养的主观性，以及“五步”课堂模式三个方面入手，通过有效的教学模式激发学生的学习动力，培养其正确的世界观、人生观和价值观，以实现教育的真正价值和魅力。
The cultivation of national instrumental music talents faces challenges such as uneven professional levels of students, insufficient learning motivation, lack of clear goals and innovative spirit. With the goal of improving the quality of education, starting from the objectivity of performance foundation, the subjectivity of music talent cultivation, and the “five-step” classroom model, through an effective teaching model to stimulate students’ learning motivation and cultivate their correct world outlook, outlook on life and values, so as to realize the true value and charm of education.
《茶馆》中人物塑造与表演技巧探究
Exploration of Character Shaping and Performance Skills in “Teahouse”  [PDF]
徐晓妍, 郭星琪
Interdisciplinary Science Letters (ISL) , 2024, DOI: 10.12677/isl.2024.84056
Abstract: 《茶馆》作为老舍的代表作，生动地展示了旧中国的社会面貌，剧中人物鲜明且具有深刻的象征意义。本研究聚焦于《茶馆》中主要人物的塑造手法及其背后的表演技巧。通过对角色台词、肢体动作、情感表达等方面的分析，揭示演员如何通过细腻的表演技巧使角色更具真实性与层次感。研究发现，《茶馆》的表演不但依赖精准的台词把握，更借助丰富的情感传达与细致的动作设计，以赋予角色独特的性格和深度，展现出社会动荡时期人们的复杂内心。本研究进一步阐述了角色塑造与表演技巧在戏剧表演中的重要作用，为话剧表演提供了有效的参考和借鉴。
As a representative work of Lao She, “Teahouse” vividly showcases the social landscape of old China, with distinct and profound symbolic meanings for the characters in the play. This study focuses on the portrayal techniques of the main characters in “Teahouse” and the performance skills behind them. By analyzing the dialogue, body movements, emotional expression, and other aspects of the characters, it reveals how actors use delicate performance techniques to make the characters more authentic and layered. Research has found that the performance of “Teahouse” not only relies on precise dialogue, but also utilizes rich emotional communication and meticulous action design to give the characters unique personalities and depth, showcasing the complex inner world of people during times of social unrest. This study further elaborates on the important role of character shaping and performance skills in theatrical performance, providing effective reference and inspiration for theatrical performance.
“平话”概念流变考
张莉
安徽大学学报(哲学社会科学版) , 2012,
Abstract: “平话”是一个动态的历时性概念。元代是“平话”概念得以产生和确立的初始阶段，而明清则是“平话”概念获得进一步发展和出现新变的时期，不仅名称和含义出现了由“平”向“评”的转移，性质上也发生了重要变化，原本只是作为口头和书面话本存在的“平话”，在此期间指称对象又逐渐扩大到表演伎艺和小说文体，具有了文学和文艺的双重属性。因此，在使用和界定“平话”概念时，既要注意其一以贯之的本质内核，又要注意不同时期的变化，还要注意指称内容的性质。
我国职业体育竞赛表演业的组织机制研究
叶楠？,王培根？
天津体育学院学报 , 2009,
Abstract: 职业体育竞赛表演业组织治理机制是指导、监管和控制职业体育竞赛表演行业组织运作的制度和方法的一个完整系统。研究我国体育竞赛表演行业组织结构的现状，分析我国体育竞赛表演业组织机制存在的问题，从内部治理以及外部治理的角度给出了相关建议。
科普场馆科学表演编创的探讨
廖 红
- , 2018,
Abstract: 科学表演作为一种创新的科普形式，受到科普场馆的普遍关注。本文以中国科技馆典型科学表演项 目的编创为例，探讨了主题提炼、题材选择、创意来源、故事构建、情节设置、人物塑造及科学内涵的阐释。 本文认为，科学表演编创的核心是对科学内涵的把握，有科学内涵的主题是统领整个表演的关键要素，对艺 术创作规律的尊重是其成功的重要前提
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