Apropria？？o musical: a arte de ouvir Rap

the research focus the aesthetic relations between listeners and the rap songs singers and authors by musical subjective appropriation flux. from a social-historical perspective, in which where the vygotsky#039;s methodological reflections are connected to proposals by bakhtin and sartre#039;s thinking by a dialogic fashion with in listeners become also authors. it was used as methodological processes open and singular interviews with five young inhabitants from blumenau/sc peripherical areas. the first results points that musical appropriation by subjects under observation is a thick process that interweave subjective physical-perceptual and biographical aspects of each one of them. the musical appropriation singular processes investigated gave rise to an understanding that confirms the historical-cultural thesis that states social conversion of collective symbolic artifacts into subjective ones by a participatory relational negotiation of new meanings and collaboration of zones of sense.