%0 Journal Article
%T Apropria£¿£¿o musical: a arte de ouvir Rap
%A Hinkel
%A Jaison
%A Maheirie
%A K¨¢tia
%J Psicologia em Estudo
%D 2011
%I Universidade Estadual de Maring¨¢
%R 10.1590/S1413-73722011000300006
%X the research focus the aesthetic relations between listeners and the rap songs singers and authors by musical subjective appropriation flux. from a social-historical perspective, in which where the vygotsky#039;s methodological reflections are connected to proposals by bakhtin and sartre#039;s thinking by a dialogic fashion with in listeners become also authors. it was used as methodological processes open and singular interviews with five young inhabitants from blumenau/sc peripherical areas. the first results points that musical appropriation by subjects under observation is a thick process that interweave subjective physical-perceptual and biographical aspects of each one of them. the musical appropriation singular processes investigated gave rise to an understanding that confirms the historical-cultural thesis that states social conversion of collective symbolic artifacts into subjective ones by a participatory relational negotiation of new meanings and collaboration of zones of sense.
%K rap
%K psychology
%K musical appropriation.
%U http://www.scielo.br/scielo.php?script=sci_abstract&pid=S1413-73722011000300006&lng=en&nrm=iso&tlng=en