Las Formas Políticas del Cine Argentino: Montajes, Disrupciones y Estéticas de una Tradición

this article examines and analyzes political forms of argentine cinema from the sixties to the present, focusing especially on contemporary argentine cinema (1995-2010). it will try to deal with ？political forms？ rather than with the notion of a ？political film？, an exercise to think about politics and aesthetics as an immanent relation. thus, three periods are considered in this article: the sixties and seventies as the emergence of political cinema; the eighties as the displacement of politics by moral denunciation and the nineties and after 2001 as a return of the sensory experience or as the advent of ？sensible policies.？ the text will explore political forms in films, and will question this device of aesthetic representation in cinematography.