%0 Journal Article
%T Las Formas Pol¨ªticas del Cine Argentino: Montajes, Disrupciones y Est¨¦ticas de una Tradici¨®n
%A Dipaola
%A Esteban
%J Aisthesis
%D 2010
%I Scientific Electronic Library Online
%R 10.4067/S0718-71812010000200008
%X this article examines and analyzes political forms of argentine cinema from the sixties to the present, focusing especially on contemporary argentine cinema (1995-2010). it will try to deal with £¿political forms£¿ rather than with the notion of a £¿political film£¿, an exercise to think about politics and aesthetics as an immanent relation. thus, three periods are considered in this article: the sixties and seventies as the emergence of political cinema; the eighties as the displacement of politics by moral denunciation and the nineties and after 2001 as a return of the sensory experience or as the advent of £¿sensible policies.£¿ the text will explore political forms in films, and will question this device of aesthetic representation in cinematography.
%K cinema
%K political forms
%K representation.
%U http://www.scielo.cl/scielo.php?script=sci_abstract&pid=S0718-71812010000200008&lng=en&nrm=iso&tlng=en