创作的面具：艺术自我遮掩的精神分析视角
The Mask of Creation: A Psychoanalytic Perspective on Artistic Self-Concealment

艺术创作不仅是情感的具象化呈现，更是一种通过隐喻、符号化与结构化手段对潜意识的策略性遮掩。文章基于精神分析理论，结合弗里达·卡洛、蒙德里安、里希特、草间弥生、班克斯等艺术家案例，探讨艺术如何在“显”与“隐”的辩证中，通过意象隐喻、风格选择与虚拟化叙事，实现创伤的符号化转移、心理防御的形式化表达与主体边界的隐喻性重构。研究指出，艺术的“自我遮掩”并非逃避，而是潜意识主导的精神疗愈与意义再生产机制，为理解艺术在数字化时代的心理功能提供了跨学科视角。
Artistic creation is not only the concretization of emotion, but also a strategic concealment of the subconscious through metaphor, symbolization, and structural means. Based on psychoanalytic theory and case studies of artists such as Frida Kahlo, Piet Mondrian, Gerhard Richter, Yayoi Kusama, and Banksy, this paper explores how art, in the dialectic of “revealing” and “concealing”, achieves symbolic transfer of trauma, formalized expression of psychological defense, and metaphorical reconstruction of subject boundaries through image encoding, stylistic choices, and virtualized narratives. The study argues that artistic “self-concealment” is not an escape, but a subconscious-driven mechanism for spiritual healing and meaning reproduction, providing an interdisciplinary perspective for understanding the psychological function of art in the digital age.