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符号学视域下《好东西》的植物象征解读
Interpretation of Plant Symbols in Her Story from the Perspective of Semiotics

DOI: 10.12677/arl.2026.151012, PP. 78-83

Keywords: 《好东西》,植物象征,符号学
Her Story
, Plant Symbol, Semiotics

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Abstract:

邵艺辉执导的《好东西》以温柔而不失锐利的叙事笔触,突破传统叙事范式,对女性经验的书写与性别关系进行了新的探索。影片中的“植物意象”绝非偶然的视觉点缀,而是深度嵌入角色命名、场景设计、主题表达与视听语言的核心符号载体。这些植物意象既承接了中国传统文化中植物符号的经典内涵,又在当代语境下完成了符号意义的创造性转化。以王铁梅(枝干)、王茉莉(花朵)、小叶(绿叶)为代表的角色对应,构建起“枝干–花朵–绿叶”的女性互助关系,打破了传统叙事中女性间的竞争与依附困境,三者相互关联、彼此滋养,共同形成一套指向女性“自主、互助、共生”的新符号秩序,最终凝结为完整且富有张力的符号体系,让抽象的情谊与主体觉醒变得可感可知。
Directed by Shao Yihui, Her Story breaks through the traditional narrative paradigm with a gentle yet sharp narrative style, and makes new explorations in the portrayal of female experience and gender relations. The “plant imagery” in the film is by no means an accidental visual embellishment, but a core symbol carrier deeply embedded in character naming, scene design, thematic expression and audio-visual language. These plant images not only inherit the classic connotations of plant symbols in Chinese traditional culture, but also complete the creative transformation of symbolic meanings in the contemporary context. The character correspondences represented by Wang Tiemei (branch), Wang Moli (flower), and Xiao Ye (leaf) construct a “branch-flower-leaf” female mutual assistance relationship, breaking the competition and dependence among women in traditional narratives. The three are interrelated and nourish each other, jointly forming a new symbolic order pointing to female “autonomy, mutual assistance and symbiosis”, and ultimately condensing into a complete and tension-filled symbolic system, making the abstract friendship and subject awakening tangible and perceptible.

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