论王尔德的唯美主义思想——以《道林·格雷的画像》为例
On Wilde’s Aestheticism—A Case Study of “The Picture of Dorian Gray”

作为英国唯美主义运动的倡导者，“为艺术而艺术”是王尔德唯美主义艺术观的精髓，他通过小说、戏剧与文论构建了完整的美学体系。本文以《道林·格雷的画像》为核心文本，从艺术与生活、道德、形式的三重维度解析其思想内核，结合维多利亚时代文化语境与数字媒介技术的新发展，揭示唯美主义的历史价值与当代启示。研究发现，王尔德通过画像的魔幻设定解构了艺术与生活的二元对立，其形式至上的主张在NFT艺术中实现技术化转生，而对道德规训的抵抗则为社交媒体时代的审美异化提供批判视角。本研究为经典文论的跨时代阐释提供了方法论范例。
As the leading advocate of the British Aesthetic Movement, Oscar Wilde established a comprehensive aesthetic system through his novels, plays, and critical essays, with “Art for Art’s Sake” as its core principle. This study takes “The Picture of Dorian Gray” as the primary text to analyze Wilde’s aestheticism through three dimensions: the relationship between art and life, morality, and form. By contextualizing Victorian cultural discourse and examining contemporary digital media practices, the research reveals the historical significance and modern relevance of aestheticism. Key findings demonstrate that Wilde’s magical portrait device deconstructs the art-life dichotomy, his formalism finds technological reincarnation in NFT art, while his resistance to moral didacticism offers critical insights into aesthetic alienation in the social media era. This study provides a methodological model for trans-temporal interpretation of classical literary theories.