丰碑与玫瑰：《献给艾米丽的一朵玫瑰花》中的性别操演研究
Monument and Rose: A Study of Gender Performativity in A Rose for Emily

威廉·福克纳在他的经典短篇小说《献给艾米丽的一朵玫瑰花》中，描绘了格里尔生家最后一位贵族小姐艾米丽的悲剧命运。南方传统社会中对女性的压迫与规训，尤其是父权制和清教妇道观的深远影响，构成了这一悲剧的根本原因。在朱迪丝·巴特勒的性别操演理论视角下，女主角艾米丽在社会规训中“自觉”地重复并内化了传统女性身份的操演，被塑造成南方文化中的“丰碑”式符号。然而，她的行为同时也隐含着对既定性别角色的反抗与超越，展现出一位在父权结构与社会期待中挣扎求生、试图突破束缚的女性形象。最终，福克纳以同情与钦佩之情，为艾米丽献上一朵玫瑰，以彰显她在挑战南方社会权力结构时展现出的勇气与反抗精神。
William Faulkner, in his classic short story A Rose for Emily, portrays the tragic fate of Miss Emily, the last aristocratic lady of the Grierson family. The oppression and regulation of women in Southern traditional society, particularly the pervasive influence of patriarchy and Puritan ideals of womanhood, form the foundational causes of this tragedy. From the perspective of Judith Butler’s theory of gender performativity, the protagonist Emily, under the constraints of social norms, “consciously” repeats and internalizes the performance of traditional female identity, thereby being shaped into a “monumental” symbol within Southern culture. However, her actions simultaneously imply resistance to and transcendence of prescribed gender roles, revealing a woman struggling to survive within patriarchal structures and societal expectations while attempting to break free from them. Ultimately, Faulkner, with both sympathy and admiration, offers a rose to honor Emily’s courage and defiance in challenging the power structures of Southern society.