后人类主义视域下IP电影《哪吒之魔童降世》的多维解析
A Multidimensional Analysis of the IP Film Nezha: Birth of the Demon Child in the Perspective of Posthumanism

作为现象级IP电影，《哪吒之魔童降世》(以下简称《哪吒1》)展现了后人类主义视野下的独特内涵和价值。本文将从后人类主义角度对影片进行全方位地分析。在角色塑造上，哪吒这一超越传统二元对立的形象打破了传统人物设定，体现了后人类对身份界限的模糊和重构；在主题表达上，对反映后人类对人类本质重新思考的命运与自我抗争、人性复杂等话题进行了探讨。先进的动画制作技术在技术层面为影片营造出拓展人类感知体验、体现科技与艺术融合的逼真奇幻视觉效果。影片创新改编传统神话故事，在叙事上实现文化传承与创新的平衡，以现代视角诠释经典。分析《哪吒1》旨在揭示后人类主义在电影创作中的应用价值，即注重角色多元性塑造，深化主题内涵，合理运用技术，挖掘传统文化的创新潜力，从而促进电影产业的可持续发展，为后续IP电影的发展提供创新性的启示。
As a phenomenal IP film, Nezha: Birth of the Demon Child (hereinafter referred to as Ne Zha 1) demonstrates unique connotations and values under the vision of post-humanism. This article will analyse the film from the perspective of post-humanism in all aspects. In terms of characterisation, the image of Ne Zha, which transcends the traditional dichotomy, breaks the traditional character set-up, reflecting the blurring and reconstruction of the boundaries of identity by post-humanity; in terms of thematic expression, it explores the topics of destiny and self-resistance, and the complexity of human nature, which reflect the post-humanity’s rethinking of the nature of mankind. The advanced animation production technology creates a realistic and fantastic visual effect that expands human perception and experience and reflects the integration of technology and art. The film is an innovative adaptation of a traditional mythological story, striking a balance between cultural heritage and innovation in its narrative, and interpreting the classics from a modern perspective. The analysis of Ne Zha 1 aims to reveal the value of post-humanism in film creation, i.e. focusing on the diversity of characterisation, deepening thematic connotations, making rational use of technology, and tapping into the innovative potential of traditional culture, so as to promote the sustainable development of the film industry, and to provide innovative inspiration for the development of subsequent IP films.