The Nature of Matter: An Inherent Element in the Interpretation of a Work of Art (Three-Dimensional)

In the arena of contemporary culture, the interpretation of a work of art is often based more on elements such as the thought of the artist, his influential reputation, and the theme or subject (such as the title of the work) than on the simple technique used (procedure, materials, and equipment) (Bal & Bryson, 1991). However, it is essential to recognize that often overlooked techniques contain fundamental elements necessary for creating and analyzing a work of art. One crucial aspect of a piece of art is the matter (medium) from which it is made. Therefore, it is wise to consider this element for a more in-depth and nuanced understanding of the work. After an in-depth analysis of matter as a critical element in interpreting a work of art, we understand that matter, in its natural state, does not communicate directly by transmitting information. “The material is crafted through the skill of the artist”. The artwork may undergo transformation during the modelling process based on its art form. It acquires the capacity to arouse impressions and awaken sensitivities in the contemplator or the art critic (Chari, 2021). By mastering his technique, the artist manages to transcend the raw material to give it new life and a deeper meaning. By creatively manipulating the material, the artist manages to express emotions and ideas and elucidate concepts that transcend material limits to touch the soul of the contemplator. Thus, artistic technique serves as the vehicle for transforming the material into a multi-layered form of artistic expression. Through this research article, we explore how the nature of matter suggests information for the interpretation of a work of art. This is demonstrated by illustrating how the artist’s selection of materials influences the viewers’ understanding and reception of the artwork. One of this article’s critical points is that the material is not simply passive support but can have a role, a capacity to act, which influences the aesthetic and conceptual perception of the work. Thus, the choice of materials is not accidental because they transmit messages and emotions, enriching the understanding of art. Therefore, we settle on the three-dimensional work of art, which occupies space. The examples of painting given here direct our reflection towards sensitivity to the colors of materials. Our reflection on the nature of matter encourages an integrated approach to art, linking aesthetic analysis to a deep understanding of materials and their impact on the