| [1] | (2009). Avatar. Box Office Mojo.
https://www.boxofficemojo.com/title/tt0499549/
|
| [2] | (2019). Avengers: Endgame. Box Office Mojo.
https://www.boxofficemojo.com/title/tt4154796/
|
| [3] | (n.d.). Driving Economic Growth. Motion Picture Association.
https://www.motionpictures.org/what-we-do/driving-economic-growth/
|
| [4] | Bizony, P. (1994). 2001: Filming the Future. Aurum Press.
|
| [5] | Box Office Mojo. (2023). Box Office Statistics for Films Like Avatar (2009) and the Avengers (2012).
https://www.boxofficemojo.com
|
| [6] | Buckland, W. (2009). Film Theory and Contemporary Hollywood Movies. Taylor & Francis.
https://doi.org/10.4324/9780203030769
|
| [7] | Cameron, J. (Director) (1991). Terminator 2: Judgment Day [Film]. TriStar Pictures.
|
| [8] | Cameron, J. (Director) (2009). Avatar [Film]. 20th Century Fox.
|
| [9] | Crichton, M. (Director) (1973). Westworld [Film]. Metro-Goldwyn-Mayer.
|
| [10] | Cuarón, A. (Director) (2013). Gravity [Film]. Warner Bros. Pictures.
|
| [11] | DeMille, C. B. (Director) (1956). The Ten Commandments [Film]. Paramount Pictures.
|
| [12] | Derrickson, S. (Director) (2016). Doctor Strange [Film]. Marvel Studios.
|
| [13] | Duncan, J., & Fitzpatrick, L. (2010). The Making of Avatar. Harry N. Abrams.
|
| [14] | Edwards, G. (Director) (2016). Rogue One: A Star Wars Story [Film]. Lucasfilm.
|
| [15] | Finance, C. L., & Zwerman, S. (2010). The Visual Effects Producer: Understanding the Art and Business of VFX. Elsevier/Focal Press.
https://doi.org/10.1016/B978-0-240-81263-2.00002-X
|
| [16] | Fisher, J. (2001). The Lord of the Rings: The Fellowship of the Ring: Visual Companion. Houghton Mifflin.
|
| [17] | Goldman, N. (2017). The Ves 70: The Most Influential Visual Effects Films of All Time. VFX Voice.
https://www.vfxvoice.com/the-ves-70-the-most-influential-visual-effects-films-of-all-time/
|
| [18] | Gunning, T. (1994). D.W. Griffith and the Origins of American Narrative Film: The Early Years at Biograph. University of Illinois Press.
|
| [19] | Harryhausen, R., & Dalton, T. (2008). A Century of Stop Motion Animation: From Méliès to Aardman. Watson-Guptill Publications.
|
| [20] | Lisberger, S. (Director) (1982). Tron [Film]. Walt Disney Productions.
|
| [21] | Lucas, G. (Director) (1977). Star Wars [Film]. Lucasfilm.
|
| [22] | Martin, K. H., & Grusby, G. (2020). Miniature Work Highlights Hybrid Approach to the Mandalorian VFX. VFX Voice.
https://www.vfxvoice.com/miniature-work-highlights-hybrid-approach-to-the-mandalorian-vfx/
|
| [23] | McGowan, C. (2023). Rapid Evolution at the Intersection of AI and VFX. VFX Voice.
https://www.vfxvoice.com/rapid-evolution-at-the-intersection-of-ai-and-vfx/
|
| [24] | Morton, R. (2005). King Kong: The History of a Movie Icon from Fay Wray to Peter Jackson. Applause Theatre & Cinema Books.
|
| [25] | Motion Picture Association (2021). The Average Allocation of 20% of High-Budget Film Budgets to VFX. Motion Picture Association.
|
| [26] | Murray, J. H. (1998). Hamlet on the Holodeck: The Future of Narrative in Cyberspace. MIT Press.
|
| [27] | Nolan, C. (Director) (2010). Inception [Film]. Warner Bros.
|
| [28] | Prince, S. (2011). Digital Visual Effects in Cinema: The Seduction of Reality. Rutgers University Press.
|
| [29] | Rinzler, J. W., & Jackson, P. (2007). The Making of Star Wars: The Definitive Story behind the Original Film. Random House Worlds.
|
| [30] | Rubin, M. (2006). Droidmaker: George Lucas and the Digital Revolution. Triad Publishing Company.
|
| [31] | Ryan, M. L. (2001). Narrative as Virtual Reality: Immersion and Interactivity in Literature and Electronic Media. Johns Hopkins University Press.
|
| [32] | Scorsese, M. (Director) (2019). The Irishman [Film]. Netflix.
|
| [33] | Shay, D., & Duncan, J. (1991). The Making of T2, Terminator 2: Judgment Day. Bantam Books.
|
| [34] | Shay, D., & Duncan, J. (1993). The Making of Jurassic Park. Ballantine Books.
|
| [35] | Solomon, C. (1989). Enchanted Drawings: The History of Animation. Knopf.
|
| [36] | Spielberg, S. (Director) (1993). Jurassic Park [Film]. Universal Pictures.
|
| [37] | Taylor, D. (2020). Here’s How the Mandalorian Pulled Off Its Groundbreaking Visual Effects. Collider.
https://collider.com/mandalorian-visual-effects-explained/
|
| [38] | Wachowski, L., & Wachowski, L. (Directors) (1999). The Matrix [Film]. Warner Bros.
|
| [39] | Whedon, J. (Director) (2012). The Avengers [Film]. Marvel Studios.
|
| [40] | Wlaschin, K. (2009). Silent Mystery and Detective Movies: A Comprehensive Filmography. McFarland, Incorporated, Publishers.
|
