乡土叙事电影文本《平原上的夏洛克》审美性研究
A Study of the Aesthetic Nature of the Vernacular Narrative Film Text Sherlock on the Plains

《平原上的夏洛克》作为一部新世纪乡土叙事电影，相较于之前的乡土电影，有着独属于它的审美特性。电影将侦探、喜剧等类型元素与电影散发出的诗意氛围相互贯通，二者共同融贯于一个叙事清晰的侦探故事之中，兼顾了电影的商业性和艺术性。从电影叙事空间来看，电影以纪实性手法和诗化的镜头语言呈现现代化进程中的城市与乡村社会景观与人文差异，于细节处勾勒，真实且诗意。透过这些，影片真正的审美内涵表达的是对于理想乡村精神的回望，对建构一个充满诗意现代性家园的渴望。
Sherlock on the Plain, as a new century vernacular narrative movie, has its own aesthetic charac-teristics compared to previous vernacular movies. The movie connects the elements of detective, comedy and other genres with the poetic atmosphere emanating from the movie, and the two are jointly integrated in a detective story with clear narrative, which takes into account the commerci-ality and artistry of the movie. From the perspective of narrative space, the film uses documentary techniques and poetic camera language to present the social landscapes and humanistic differences between the city and the countryside in the process of modernization, outlining the details in a re-alistic and poetic manner. Through these, the real aesthetic connotation of the movie expresses the desire to look back to the ideal spirit of the countryside and to construct a modern home full of po-etry.