德勒兹运动–影像的谱系描绘
Deleuze’s Movement-Image Pedigree Description

运动–影像即以运动捕捉事物变化的方式，它使事物或者客体以影像的方式在现实中“发声”，并使客体成为所承受之运动与所遂行运动的时空团块之切面的无限集合。运动–影像在运动中承担事物本身的连续功能，它将成为客体自身的调性变化。总体而言，运动–影像即是客体的变动全体表现，又是两个客体之间的差异化过程。德勒兹意义上的运动–影像就是指好莱坞的类型片或者广义的商业片。德勒兹的运动–影像共计102种影像，其中包括10种感知–影像、19种动情–影像、7种冲动–影像、37种动作–影像、24种反映–影像、5种关系–影像。运动–影像所包含的102种影像形成了一个谱系图，通过全面和系统地梳理这个谱系图有助于我们加深对于运动–影像的理解。
Movement-image is the way to capture the changes of things in motion, which makes things or objects “sound” in reality in the form of images, and makes the object become an infinite set of the slices of the space-time mass of the movement endured and the movement carried out. Movement- image assumes the continuous function of the object itself in motion, and it will become the tonal change of the object itself. In general, movement-image is both the overall manifestation of object changes and the process of differentiation between two objects. In the Deleuze sense, motion pictures refer to Hollywood genre films or commercial films in a broad sense. Deleuze’s movement- images total 102 images, including 10 perception-images, 19 affection-images, 7 impulse-images, 37 action-images, 24 reflection-images, and 5 relation-images. The 102 types of images contained in movement-image form a pedigree, which helps us deepen our understanding of movement-image by comprehensively and systematically organizing this pedigree.