演唱会的建构性叙事：痛苦与反思——情歌带来的自体发展
Constructive Narration of Concerts: Pain and Reflection—The Self Development Brought by Love Ballads

以梁静茹的演唱会为背景，深入探讨情歌如何以叙事的方式呈现情感经历中的痛苦经验，并从中唤起听者的共鸣，引发自我反思和人生转变。本研究立足心理学的创新探索，涉及音乐艺术研究、哲学、美学、传播学等多学科交叉视角，试图揭示演唱会的建构性叙事和场域意义。以期展望后疫情时代演唱会的新解读：作为情感的共享场域，帮助人们处理情感痛苦，促进个体和群体的自体发展。
This study delves into the narrative construction of emotional experiences in concerts, specifically focusing on Fish Leong’s concert. It explores how love ballads serve as a medium to convey and re-flect on painful experiences, eliciting resonance among listeners and prompting self-reflection and personal growth. From the perspective of innovative explorations in psychology, this research adopts an interdisciplinary approach encompassing musicology, philosophy, aesthetics, and com-munication studies. By examining the constructive narrative and filed significance of concerts, this study provides insights into the potential significance of concerts in the post pandemic era: as a shared and co-created emotional space, helping people deal with negative emotional experiences to promote personal and collective self-development.