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Subtitle Translation on Titanic with Communicative Translation Theory

DOI: 10.4236/ojml.2022.125041, PP. 556-567

Keywords: Subtitle Translation, Communicative Translation Theory, Titanic, Peter Newmark, Translation Strategie

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Abstract:

Subtitle translation is essential to help Chinese audiences enjoy foreign movies aesthetically. As a well-known translation theorist, Peter Newmark’s Communicative Translation Theory offers numerous suggestions for translators. This paper will choose Titanic as a case and discuss the translation strategies that the translator adopts under the guidance of Communicative Translation Theory. The first part is divided into three parts, focusing on the introduction of subtitle translation. The second part is the overview of Newmark’s Communicative translation Theory and current research outcomes, which sets up a theoretical framework for the thesis. At the same time, the third part consists of specific case studies and the translation skills that the translator adopts, such as the use of Chinese idioms, conversion, free translation and domestication to figure out how these translations convey the original meaning and emotions to target language audiences. Finally, the author discusses the outlook of subtitle translations.

References

[1]  Ke, P. (1992). Viewpoint Transformation, Concretization and Conceptualization. Chinese Translation, No. 1, 24-26.
[2]  Liu, Y. B. (2013). Practical English-Chinese Translation Tutorial (2nd ed.). Henan People’s Publishing House.
[3]  Newmark, P. (1981). Approaches to Translation (pp. 39-69). Pergamon Press.
[4]  Nida, E. A. (1993). Language, Culture and Translating. Shanghai Foreign Language Education Press.
[5]  Venuti, L. (2004). Translator’s Invisibility: A History of Translation. Routledge.
[6]  Ye, Z. N. (2013). Advanced Translation Theory and Practice (3rd ed.). Tsinghua University Press.
[7]  Zhang, P. J. (2018). English-Chinese Translation Tutorial. Shanghai Foreign Language Education Press.

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