With the continuous advancement of urbanization, China’s urban color planning has begun to receive attention, but there are still many problems in the use of urban colors. In order to further clarify the color positioning of the city, the color history of the city and the application of contemporary urban color can be investigated, and then the color range with urban characteristics can be summarized through analysis and comparison, so as to scientifically guide the color planning of the future city. Taking Chengdu as an example, this paper examines the origin and context of the use of colors in Chengdu, and at the same time investigates the current status of the use of environmental colors in Chengdu. The two confirm each other and summarize several representative colors in Chengdu. It provides a basis for the application of future urban color, and also provides a certain reference value for future urban color images and other related research.
References
[1]
Cheng, Y., & Tan, M. (2018). The Quantitative Research of Landscape Color: A Study of Ming Dynasty City Wall in Nanjing. Color Research & Application, 43, 436-448. https://doi.org/10.1002/col.22203
[2]
Elliot, A. J., & Maier, M. A. (2007). Color and Psychological Functioning. Current Directions in Psychological Science, 16, 250-254. https://doi.org/10.1111/j.1467-8721.2007.00514.x
[3]
Feng, D., Chen, L. Y., & Li, D. (2007). The Expressive Function and Cultural Significance of Color in Folk Art. Journal of Zhengzhou University (Philosophy and Social Sciences), 162-165.
[4]
Jing, X. P., & Huo, X. P. (2011). Study on Urban Color Control in Xi’an Old City. Urban Issues, 2, 36-39.
[5]
Leach, E. (1967). The Structural Study of Myh and Totemism. Routledge, 4, 78-79.
[6]
Shi, L. H. (1991). An Overview of Ancient Chinese Capitals (6). Shaanxi Normal University News, 2, 66-73.
[7]
Marx, K., & Engels, F. (1998). Marx & Engels Collected Works Vol 37: Karl Marx Capital: Volume 3. London: Lawrence & Wishart.
[8]
Song, J. M. (2006). Thoughts on “National Color”. The Art of Observation, 1, 5-9.
[9]
Tu, G. H. (1993). Chinese Primitive Art Spirit. China Publishing Yearbook, 8, 451.
[10]
Wang, J., Zhang, L., & Gou, A. (2020). Study on the Preference of City Color Image Selection Based on the Logistic Model: A Case Study of Shanghai. Color Research & Application, 45, 542-557. https://doi.org/10.1002/col.22487
[11]
Zheng, Y. F. (2021). On Chinese Folk Art. Fine Arts Education Research, 9, 70-71.
[12]
Zhao, C. S., Wu, J. Z., Wu, C., et al. (2009). Urban Color Planning: A Case Study of Tianjin Urban Color Planning. Urban Plan, 33, 36-40.
