Arquitectura y naturaleza desde la fenomenología: el espejo de Andrei Tarkovsky

The Mirror (Zerkalo, Andrei Tarkovsky, 1974) deals with a special notion of time. A notion we can call life-time as opposed to what is called world-time. Because of dealing with this notion of time this film, and Takovsky’s cinema in general, is poetic. The way in which nature appears in this film is subject to this life-time itself. From here we can draw some conclusions for architecture and its relationship with the natural elements.