%0 Journal Article
%T Arquitectura y naturaleza desde la fenomenolog¨ªa: el espejo de Andrei Tarkovsky
%A Pedragosa Bofarull
%A Pau
%J DC PAPERS : Revista de Cr¨ªtica y Teor¨ªa de la Arquitectura
%D 2011
%I Universitat Polit¨¨cnica de Catalunya
%X The Mirror (Zerkalo, Andrei Tarkovsky, 1974) deals with a special notion of time. A notion we can call life-time as opposed to what is called world-time. Because of dealing with this notion of time this film, and Takovsky¡¯s cinema in general, is poetic. The way in which nature appears in this film is subject to this life-time itself. From here we can draw some conclusions for architecture and its relationship with the natural elements.
%K Andrei Tarkovsky
%K phenomenology
%K nature
%K architecture
%K experience
%K life time
%K time of the world
%K poetical art
%K aesthetic experience
%K cinema
%K Husser
%U http://hdl.handle.net/2099/11870