Performativity and Genesis of the Scene

From the recognition of the tension between reality and fiction in contemporary theatre, generally defined as theatre of the real, we intend to make an intersection of this phenomenon with the theoretical field of performativity, which focuses on the work in process, dynamic transformation and experience. The intention is to associate the theory of performativity to observations about the latest work of Theatre Vertigo, directed by Antonio Araujo, Bom Retiro 958 metros. The use of genetic ways to approach theatre will serve as a motto to interpret some aspects of the creative process and the scene.