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Revista Brasileira de Estudos da Presen？a

ISSN Print: 2237-2660

ISSN Online:

Website: http://seer.ufrgs.br/presenca

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The Century of Jerzy Grotowski

Antonio Attisani

The Manuscript Traces of the Spectacle: staging records

Fahd Kaghat

Presence or the Quality of Discreetly Being There

Maíra Castilhos Coelho

Brook avec Grotowski: testimony of life and art of a certain Pole

Larissa Elias

A Diary of Genesis: L’Atelier Volant by Valère Novarina

Jean-Marie Thomasseau

Traces that Emulate Figures: the staging of Samuel Beckett’s Ohio Impromptu

Luiz Marfuz

Essence and Personality in Grotowski and Gurdjieff

Mauro Rodrigues

“A Quite Diferent Life”

Ricardo Carlos Gomes

Performativity and Genesis of the Scene

Sílvia Fernandes

The Inner Man and his Deed: Jerzy Grotowski and the legacy of Adam Mickiewicz and polish romanticism

Kris Salata

Via Negativa as a Crossing Space: actor training and its connection with the Real

Carla Andréa Lima

Deconstructing Grotowski

Dorys Faria Calvert

Editorial

Gilberto Icle,Celina Nunes de Alcantara,Marcelo de Andrade Pereira,Márcio Müller

Around Refuse The Hour, Kentridge and his Space-Time of Creation

Fanny Le Borgne

Staff

Gilberto Icle

A Desire Without an Object

Mario Biagini

Pan Pan Theatre Aesthetics

Noelia Ruiz

Notes on The Living Room and I am America

Antonio Attisani

Apresenta o: para reler Grotowski

Tatiana Motta Lima

Arthur Lessac: an essay on Body energies in actor’s training

Maria Regina Tocchetto de Oliveira

The Production of Theater: stakes and paradoxes

Josette Féral

A Tale of Encounters with Lia Rodrigues Cia. de Dan as

Bianca Scliar Mancini

Marguerite Duras/Claude Régy: L’Amante Anglaise, the genesis of a text, the gestation of a theatre

Almuth Grésillon,Marie-Madeleine Mervant-Roux

For a Theatrical Genetics: assumptions and challenges

Almuth Grésillon,Marie-Madeleine Mervant-Roux,Dominique Budor

Becoming Someone’s Son: reflections about organon, technique and tradition in Grotowski’s work

Daniel Reis Plá

“Sing, something might happen”: about the songs and the act of singing in the research of the Workcenter of Jerzy Grotowski and Thomas Richards

Tatiana Motta Lima

A Meeting at the University of Rome “La Sapienza” or On Onion-Growing

Mario Biagini

Notes about “Art as a Vehicle” and the Alchemical Craft of the Performer

Cassiano Sydow Quilici

Maps and Paths: bodily practices and transculturality

Fernando Antonio Mencarelli

At Work with Grotowski on Physical Actions

Patricia Furtado de Mendon？a

Poor Theatre: goal or path?

Lidia Olinto

The Art of the Encounter

éric Vautrin

Editorial

Gilberto Icle,Celina Nunes de Alcantara,Marcelo de Andrade Pereira,Márcio Müller

The Laboratory Theatre Spectator’s Paradox

Bénédicte Boisson

Expediente

Revista Brasileira de Estudos de Presen？a

The Art of the Encounter, an Art of Distance: from Thomas Richards and Mario Biagini to Jerzy Grotowski

Yannick Butel

Beyond Technology, there Stands Magic

Lúcia Fernandes Lobato

On The Living Room

Thomas Richards

A Prop’s Story: from everyday life to the stage

Filipa Malva

The Guest-Spectator

Piergiorgio Giacchè

Genetics of a Reenactment in Jan Fabre’s Work

Giulio Boato

The Study of Performing Arts Through the Prism of an Anthropology of Aesthetics

Laure Garrabé

Delsarte and Laban: the origins and principles of an aesthetic revolution

S？nia Machado de Azevedo

Expediente

Revista Brasileira de Estudos da Presen？a

Usina do Trabalho do Ator: creative (mis)direction

Marcelo de Andrade Pereira

Where Could an Anthropological Turn Lead the Humanities and the Arts

Hans Ulrich Gumbrecht

Manuscripts

Fran？ois Delsarte

Aesthetic Pleasure: a somaesthetic laboratory in a dance classroom

M？nica Medeiros Ribeiro

Body and Embodiment in Theatre: from semiotics to neurosciences. A Short Interdisciplinary Glossary

Marco De Marinis

Venezuela 1976: the meeting of Odin Teatret with the Yanomamis

Arianna Berenice De Sanctis

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