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"ESCRUPULARIO" Y RESILENCIA EN VEINTE POEMAS DE AMOR Y UNA CANCIóN DESESPERADA DE PABLO NERUDA
González,Yanko;
Revista chilena de literatura , 2010, DOI: 10.4067/S0718-22952010000100005
Abstract: pablo neruda's twenty love poems and a song of despair (1942) is one of the cardinal books of spanish american lyric sociability and sentimental education. however, this work has been widely scrutinized and examined -turned from document into "monument"- both its generative process and socio-critical correlative context have not been sufficiently pondered in order to tackle the mechanisms and procedures that co-construct its second published edition by the poet. from bio-bibliographical, critical, and historical references, this article attempts to synthetically explore the textual, aesthetic and socio-cultural strategies articulated in twenty love poems 'manufacture, proposing an interpretation that emphasizes the author 's self-critical exhaustively, and the paradoxes of this work s valuation, especially considering its reception in chile.
La amante invisible en Pablo Neruda:: Poema "2" y "Alianza (sonata)"
Goic,Cedomil;
Atenea (Concepción) , 2004, DOI: 10.4067/S0718-04622004048900004
Abstract: this article analyzes on a limited plane the image of the invisible lover in the poetry of pablo neruda. the varied configuration can be found extensively in his poetry from his first books through his last. beyond the biographic substratum that has led to the establishment of identities and circumstantial references for each one, in this configuration the components of desire and hostility enter into neruda -eros and thanatos- in a great variety of constructions, visions or images that will allow the stimulation of an important and poorly developed dimension in the study of his poetry. in the vanguard this image of pure light appears captured in the flesh, or well hidden in the city, in a flower or, for an alchemist, in a metal according to elémire zolla. we may now add: also in the ？night？, in what neruda would call noctural clarity.
"ESCRUPULARIO" Y RESILENCIA EN VEINTE POEMAS DE AMOR Y UNA CANCIóN DESESPERADA DE PABLO NERUDA
Yanko González
Revista Chilena de Literatura , 2010,
Abstract: Veinte Poemas de Amor y Una Canción Desesperada (1924) de Pablo Neruda es uno de los libros cardinales de la sociabilidad lírica y la educación sentimental hispanoamericana. Aunque la obra ha sido ampliamente escrutada y examinada -convertido ya el documento en "monumento"-, tanto el proceso generativo como su correlato sociocrítico no han sido suficientemente ponderados para abordar los dispositivos y procedimientos que co-construyen la segunda publicación del vate. A partir de referentes biobibliográficos, críticos e históricos, este trabajo pretende explorar sintéticamente las estrategias textuales, estéticas y socio-culturales que se articulan en la factura de Veinte Poemas de Amor... proponiendo una lectura que enfatiza la exhaustividad autocrítica del autor y las paradojas valorativas de la obra a la luz de su recepción en Chile. Pablo Neruda's Twenty Love Poems and a Song of Despair (1942) is one of the cardinal books of Spanish American lyric sociability and sentimental education. However, this work has been widely scrutinized and examined -turned from document into "monument"- both its generative process and socio-critical correlative context have not been sufficiently pondered in order to tackle the mechanisms and procedures that co-construct its second published edition by the poet. From bio-bibliographical, critical, and historical references, this article attempts to synthetically explore the textual, aesthetic and socio-cultural strategies articulated in Twenty Love Poems 'manufacture, proposing an interpretation that emphasizes the author 's self-critical exhaustively, and the paradoxes of this work s valuation, especially considering its reception in Chile.
Sixth Dalai Lama-Tsangyang Gyatso: A Brief Look at His Love Stories and Love Poems  [PDF]
Nanfei Yang
Chinese Studies (ChnStd) , 2023, DOI: 10.4236/chnstd.2023.121007
Abstract: Sixth Dalai Lama-Tsangyang Gyatso is a full-length novel written by Gao Ping that vividly describes the short life of the great Tibetan poet and Sixth Dalai Lama, Tsangyang Gyatso, and his poems. It sets against the political, military and religious background of Tibetan during the Qing Dynasty. This paper briefly analyses Tsangyang Gyatso’s love poems based on his love stories. The study finds that the words used in Tsangyang Gyatso’s love poems are plain, simple, natural and easy to understand, which has a highly empathetic effect to his readers and expresses the poet’s sincere feelings.
《全宋诗》江浙诗歌韵字校勘
Emendations of the Jiangzhe poems in Full Collection of Song Poems
钱毅
- , 2015, DOI: 1672-3104(2015)04-0239-05
Abstract: 摘 要： 《全宋诗》是重要的宋代文集，是断代文献整理的重大成果。在已有成果的基础上，从押韵的角度对《全宋诗》中江浙文士作品进行韵字分析，结果发现有诸多可商之处，其中“讹字”19例：“居”当作“君”，“僭”当作“ ”，“痤”当作“瘗”，“辰”当作“长(?L)”，“贪”当作“贫”，“年”当作“牟”，“麋”当作“麇”，“夹”当作“?”，“?L”当作“?”，“声(?)”疑当作“鼙”，“久”当作“夕”，“卫(?l)”当作“衙”，“瑟”疑当作“琴”，“?Z”当作“绿”，“织(?)”当作“纤(?w)”，“潭”当作“浑(??)”，“长(?L)”当作“畏”，“谋”疑当作“媒”，“鬓”疑当作“?P”；“词序颠倒”3例：“斟酌”当作“酌斟”，“崎岖”疑当作“岖崎”，“如何”疑当作“何如”。
Abstract: Full Collection of Song Poemsis an important anthology in Song Dynasty, and is a major achievement of literature review of the whole dynasty. After proof-reading the rhyming charaters in the rhyming works by Jiangzhe scholars ,we have found a number of debatable points in Full Collection of Song Poems, including 19 examples of wrong words. For example, “居”should be written as “君”, “僭” as“ ”, “痤” as“瘗”, “辰” as“长(?L)”, “贪” as“贫”, “年” as“牟”, “麋” as“麇”, “夹” as“?”, “?L” n as“?”, “声(?)” as“鼙”, “久” as“夕”, “卫(?l)” as“衙”, “瑟” as“琴”, “?Z” as“绿”, “织(?)” as“纤(?w)”, “潭” as“浑(??)”, “长(?L)” as“畏”, “谋” as“媒”, “鬓” as“?P”. Another 3 examples of word order are reversed as follows: “斟酌”should be written as“酌斟”, “崎岖” as“岖崎”, “如何” as“何如”
论周济《宋四家词选》浑化说及其思想渊源
On Zhou Ji’s Theory of “Hun Hua” in “Selected Poems of the Four Song Masters” and Its Ideological Origins  [PDF]
雷芳, 何颖
Chinese Traditional Culture (CnC) , 2025, DOI: 10.12677/cnc.2025.134076
Abstract: 从词学史的角度而言，清代的词可以说是词派的交替更迭史，《宋四家词选》的编成与周济的词学观念有直接而复杂的联系。周济的“浑化”追求含蓄、自然、不事雕琢来创作词，他将“浑化”与“寄托”作为词学至高的审美理想，使常州词派理论得到进一步深化，但是“浑化”并不是一个新的概念，它和先秦道家思想有着千丝万缕的联系。
From the perspective of the history of ci poetry, the Qing Dynasty witnessed the successive emergence of various ci schools. The compilation of “Selected Poems of the Four Song Masters” is directly and intricately connected with Zhou Ji’s ci poetics. Zhou Ji’s pursuit of “Hun Hua” (integrated transformation) emphasizes implicit expression, naturalness, and the avoidance of artificial embellishment in ci creation. He elevated “Hun Hua” and “Ji Tuo” (allegory) as the supreme aesthetic ideals in ci theory, thereby further deepening the theoretical framework of the Changzhou School of Ci. However, the concept of “Hun Hua” is not novel; it is inextricably linked to the pre-Qin Daoist philosophy.
热烈、贞专、理智：《诗经》中女性的婚恋观
Passionate, Faithful, Rational: Female’s Views on Love and Marriage in The Book of Odes  [PDF]
任家颖
Chinese Traditional Culture (CnC) , 2023, DOI: 10.12677/CnC.2023.111008
Abstract: 《诗经》是我国第一部诗歌总集，其中爱情诗不仅较全面地记录了先秦时期的婚恋和家庭生活情况，也生动鲜明地反映出了当时女性的爱情观。《诗经》中女性的婚恋观虽然受当时社会礼俗的影响有着不可避免的时代的局限性，但在远古遗风下仍然有别于后世受封建礼教束缚的女子，有着更为接近现代女性对爱情自由和婚姻双方平等的婚恋观，具体表现为追求爱情时的热烈、对配偶贞专的要求以及对婚变的理智自省，对后世仍然具有着重要的启迪意义和当代价值。
The Book of Songs is the first collection of Chinese poetry in which love poems not only record the state of love and marriage and domestic life in the pre-Qin period, but also vividly reflect the female view of love at that time. Although the women’s marriage view in the Book of Odes is influenced by the social cus-toms at that time and has the inevitable limitations of the Times, but the women in this period un-der the ancient tradition are still different from the later women bound by feudal ethics, with a closer modern women’s marriage view on love freedom and equality between the two sides. In the Book of Odes, the women’s views on marriage and love are expressed as the passionate pursuit of love, the demand for the fidelity of the spouse and the rational choice in the face of marriage change, which are still of vital edifying and contemporary value to posterity.
Sea In Oral Lyrical Poems
Sunara, Nikola
- , 2015,
Abstract: Sa？etak In this paper the author interprets a series of oral lyrical poems published in different anthologies. These poems are collected on the territory of the Republic of Croatia and Bosnia and Herzegovina. The sea is a common motive which connects all selected poems. The author tires to determine the place which the sea occupied in people’s minds, as the creators of the oral literary heritage. The poems interpreted in the paper belong to different subgenres of oral lyrical poems, so they are classified according to certain subtypes they belong to. The variety of subtypes confirms that the sea is important in all spheres of life and in the areas which are not geographically directly related to the sea, but they have maintained lively correspondence with the marine and coastal area. Oral lyrical poems are explained multidisciplinary and special attention is given to aesthetic and existential function of these poems whose lait motive is the sea
多重张力下的母爱合奏——论嘉道时期大型征诗题诗集《断钗吟》
彭国忠
- , 2017, DOI: 10.16382/j.cnki.1000-5579.2017.06.009
Abstract: 摘要 嘉庆、道光、咸丰朝近五百名诗人题咏、数量超过七百首的诗集《断钗吟》，是清代嘉道时期，汤贻汾为称颂其母苦节教子之美德而手绘《吟钗图》卷，广泛征诗，汇刻的题画诗总集。它以歌颂母爱、彰扬母德为核心内容，在诗才与节德的对立及弥合、故物存在时间的有限与情思的无限、共同主题的男女异咏诸方面，汇集着对立而又相互联系的力量和意义，体现着巨大的诗歌张力，是多重张力构成的母爱合奏，净化了诗坛风气，丰富了诗歌主旨及表现力度。
Abstract：Eulogies about a Broken Hairpin is a poetry anthology comprised of more than 700 poems written by nearly 500 poets during the period of Emperors Jiaqing, Daoguang and Xianfeng in the Qing Dynasty. During the regimes of Jiaqing and Daoguang, TANG Yi-fen widely solicited poems for his painting "Eulogy about a Hairpin" in order to eulogize the virtue of his mother who struggled for chastity and educated him and his brother after the death of his father. Finally a painting poetry anthology came into being. The anthology, with the main purpose to extol maternal love and advocate maternal virtue, reveals the opposite and complementary relationship between poetic talent and virtue, and the contradiction between the finite existence of things and the infinite affection of human beings. The poems of the same topic written by female and male poets in the anthology also demonstrate opposite and related power and meanings. The anthology with magnificent poetry tension was an ensemble of maternal love, which purified the ethos of poetry circle, increased the variety of themes and strengthened the expression of the poetry.
The Sevdalinka as Bosnian Intangible Cultural Heritage: Themes, Motifs, and Poetical Features
Efendi？, Nirha
- , 2015, DOI: 10.15176/vol52no105
Abstract: Sa？etak This paper discusses interpretations, categorisations and inventories of the sevdalinka, an oral lyric tradition from Bosnia and one of the country’s most important examples of intangible cultural heritage. The sevdalinka represents traditional oral lyric poetry, a celebrated form of love song, which came into existence in urban places in a broader region of the Balkans as a fusion of the existing lyrical forms and Islamic influences. The term sevdalinka for this kind of songs became widely accepted only at the end of the 19th century. Before that, this oral lyrical tradition was usually called sevdalija. Both terms, sevdalinka and sevdalija, have their roots in the Arabic word sawdā adopted as sevdah (meaning love, desire, longing) via Turkish into the languages of some Balkan peoples. In today’s context, the sevdalinka is most often understood as a Bosnian (or more precisely, Bosniak) indigenous traditional love song. As an important part of the Bosnian intangible cultural heritage, ethnologists, ethnomusicologists, folklorists and other scholars have often used the sevdalinka as a source and medium through which to explore various social, historical and cultural traditions in Bosnia. This paper will first provide a historical summary of the records, inventories and research interests in this oral lyrical genre and then offer an overview of the categorisations of the sevdalinka in specialized encyclopaedias and literary theory. Finally, by analysing themes and motifs found in sevdalinkas, the paper will discuss a number of scholarly examples from manuscripts published in late 19th and early 20th century in Bosnia and Herzegovina
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