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Presencia de los agustinos en la revolución peruana de Huánuco de 1812
F. Javier Campos y Fernández de Sevilla
Anuario Jurídico y Económico Escurialense , 2012,
Abstract: En febrero de 1812 estalló en Huánuco, territorio de la Intendencia de Tarma (Perú), una sublevación contra el gobierno colonial y los espa oles (chapetones), por la mala administración y las injusticias que sufrían los pueblos nativos. Por diversos motivos e intereses participaron todos los grupos de la ciudad y de la zona: los criollos, el clero (secular y regular), los comerciantes, el pueblo mestizo y la población india de la sierra. Dos agustinos tuvieron un destacado papel. Todo acabó con la derrota de los insurrectos y la condena de los principales dirigentes.
El costo de ser independiente: el dise？o fiscal de José María Castillo y Rada para la Gran Colombia, 1823-1827
Javier Barrera,óscar;
Estudios Políticos , 2010,
Abstract: through fiscal design developed by josé maría castillo y rada in the years immediately after the independence from spain, this paper offers to the reader an insight into some of the fiscal challenges faced by the regional integration attempt known as the gran colombia. first, there is a brief tour to the fiscal structure of the last colonial years. secondly, it presents the general features of the proposal designed by castillo y rada and then the argumentation moves to the consideration of the challenges faced by this proposal. the paper concludes that historiographical models that have used the dichotomy liberalism / protectionism fall short in understanding the scope of this fiscal policy, which was formulated through a process of transition from colonial nueva granda system to the republican system, which operated as a complex set of adjustments, innovations and permanences.
PERIODISMO, FICCIóN Y REALIDAD: A PROPóSITO DE TODO SON PREGUNTAS, EL OJO DE CERRADURA Y SOMBRAS SOBRE SOMBRAS DE JUAN JOSé MILLáS Journalism, Fiction and Reality in Juan José Millás’ Todo son preguntas, El ojo de la cerradura, and Sombras sobre sombras
Teresa González Arce
Alpha (Osorno) , 2008,
Abstract: Durante los veranos de 2004, 2005 y 2006, el escritor espa ol Juan José Millás publicó una serie de artículos que más tarde dieron lugar a tres recopilaciones tituladas Todo son preguntas, El ojo de la cerradura y Sombras sobre sombras. Entendidos, a la vez, como preguntas y respuestas suscitadas por fotografías aparecidas en la prensa, los tres volúmenes dan cuenta de una poética sostenida por una concepción espacial del mundo que, de manera explícita, remite a la imagen platónica de la caverna. El escritor utiliza la ficción literaria como una herramienta de interpretación de la realidad -representada aquí por la serie de fotografías- y, al hacer esto, pone en entredicho los límites entre la verdad y las apariencias. Agregar sombras a un mundo poblado por simulacros, parece decir Millás, es la única forma de entender algo en este galimatías en el que vivimos. In the summers of 2004, 2005 and 2006 the Spanish writer Juan José Millás published a series of articles that later appeared in three volumes titled Todo son preguntas, El ojo de la cerradura and Sombras sobre sombras. His essays are best understood as a meditation about press photos that inspire both questions and answers, expressing a poetics grounded in a spatial conception of the world that explicitly invokes the platonic image of the cave. The writer utilizes literary fiction as a tool to interpret reality -represented here in the series of photos- and, in so doing, problematizes the limits between truth and appearance. It is only by adding shadows to a world replete with simulacra, Millás seems to say, that we can make any sense of the world at all.
El costo de ser independiente: el dise o fiscal de José María Castillo y Rada para la Gran Colombia, 1823-1827 The Cost of Being Independent. José María Castillo y Rada’s Tax Design for The Gran Colombia, 1823-1827
óscar Javier Barrera
Estudios Políticos , 2010,
Abstract: A través del dise o fiscal elaborado por José María Castillo y Rada en los a os inmediatamente posteriores a la obtención de la independencia de Espa a, este ensayo ofrece al lector un cercamiento a algunos de los desafíos fiscales que afrontó la tentativa ambiciosa de integración regional conocida como la Gran Colombia. Enprimer lugar, se realiza un breve recorrido por la estructura fiscal de los últimos a os virreinales. En segunda instancia, se presentan los rasgos generales de la propuesta dise ada por Castillo y Rada y a continuación se pasa a considerar los desafíos afrontados por dicha propuesta. El trabajo concluye que los modelos historiográficos que se ha valido de la dicotomía liberalismo/proteccionismo se quedan cortos en la comprensión del alcance de esta política fiscal, la cual fue formulada dentro de un proceso de transición del sistema virreinal neogranadino al republicano que operó como un juego complejo de ajustes, innovaciones y perduraciones. Through fiscal design developed by José María Castillo y Rada in the years immediately after the independence from Spain, this paper offers to the reader an insight into some of the fiscal challenges faced by the regional integration attempt known as the Gran Colombia. First, there is a brief tour to the fiscal structure of the last colonial years. Secondly, it presents the general features of the proposal designed by Castillo y Rada and then the argumentation moves to the consideration of the challenges faced by this proposal. The paper concludes that historiographical models that have used the dichotomy Liberalism / Protectionism fall short in understanding the scope of this Fiscal Policy, which was formulated through a process of transition from colonial Nueva Granda system to the Republican system, which operated as a complex set of adjustments, innovations and permanences.
Perfil biográfico del canonista Juan Josef Alfranca y Castellote (1754-1817), rector del colegio de Bolonia
Astorgano Abajo, Antonio
Hispania Sacra : Revista de Historia Eclesiástica , 2009,
Abstract: Juan Jose Alfranca y Castellote (Zaragoza, 8.III.1754 – Cuevas de Ca art [Teruel], 1817) of nobleman origin, doctor in canon laws by the universities of Zaragoza and Bolonia, wassuccesfully, schoolboy and rector of Saint Clement school for Spaniards in Bolonia (1780,1788), Mayor of crime in the courthouse of Seville, listener and one of the foundersof the Royal Courthouse of Extremadura (1791), and doctoral canon and then ecclesiastical governor of the Teruel diocese during the French invasion (1812). In this essay, the stages of his vital road are highlighted, as well as the features of his personality which are characterized by his uprightness and deep law knowledge and by his reformist and well educated atitude, as he made clear in the cross-examination to the Llerena Perty (1791). Juan José Alfranca y Castellote (Zaragoza, 8.III.54 – Cuevas de Ca art? [Teruel], 1817), de origen infanzón, doctor en Cánones por las universidades de Zaragoza y Bolonia, fue sucesivamente, colegial y rector del Colegio de San Clemente de Espa oles de Bolonia (1780-1788), alcalde del crimen de la Audiencia de Sevilla, oidor y uno de los fundadores de la Real Audiencia de Extremadura (1791) y canónigo doctoral y gobernador eclesiástico de la diócesis de Teruel durante la ocupación francesa (1812). En el presente trabajo se ponen de relieve las etapas de su trayectoria vital, así como los rasgos de su personalidad, caracterizada por su rectitud y profundos conocimientos jurídicos, y por su actitud reformista e ilustrada, como puso de manifiesto en el Interrogatorio del Partido de Llerena (1791).
La traducción de cartas árabes en un pleito granadino del siglo XVI. El fenómeno del romanceado como acto judicial: Juan Rodríguez y Alonso del Castillo ante un mismo documento
Abad Merino, Mercedes
Al-Qantara : Revista de Estudios Arabes , 2011,
Abstract: The aim of this article is to show the structure of the procedure which led to the production of Romanceado texts and the features which originals were required to display. We approach such texts, which are documents of exceptional importance for historians, Arabists, Hispanists and translators, as a highly formalised example of everyday written translation, carried out by specialised translators or romanceadores. Both the process and the romanceamientos themselves follow a series of well-defined phases which are outlined in the article. For this study we have used an unedited 16th-century boundary dispute which contains two romanceamientos by the famous Granadans Juan Rodríguez and Alonso del Castillo. El objetivo de este artículo es mostrar la estructura del procedimiento que conducía a los textos romanceados y las características que debían tener los originales. Nos acercamos a este tipo de texto, documentos de importancia excepcional tanto para historiadores como para arabistas, hispanistas o traductores, como ejemplo altamente formalizado de traducción cotidiana en el medio escrito, llevada a cabo por traductores especializados o romanceadores. Tanto el proceso en sí mismo como los romanceamientos siguen unas fases perfectamente delimitadas que vamos a se alar. Para la realización de este trabajo hemos utilizado un pleito de límites del siglo XVI, inédito, donde se incluyen dos romanceamientos de los célebres granadinos Juan Rodríguez y Alonso del Castillo.
PERIODISMO, FICCIóN Y REALIDAD: A PROPóSITO DE TODO SON PREGUNTAS, EL OJO DE CERRADURA Y SOMBRAS SOBRE SOMBRAS DE JUAN JOSé MILLáS
González Arce,Teresa;
Alpha (Osorno) , 2008, DOI: 10.4067/S0718-22012008000100006
Abstract: in the summers of 2004, 2005 and 2006 the spanish writer juan josé millás published a series of articles that later appeared in three volumes titled todo son preguntas, el ojo de la cerradura and sombras sobre sombras. his essays are best understood as a meditation about press photos that inspire both questions and answers, expressing a poetics grounded in a spatial conception of the world that explicitly invokes the platonic image of the cave. the writer utilizes literary fiction as a tool to interpret reality -represented here in the series of photos- and, in so doing, problematizes the limits between truth and appearance. it is only by adding shadows to a world replete with simulacra, millás seems to say, that we can make any sense of the world at all.
Ingermina, de Juan José Nieto: antagonismo y alegoría en los orígenes de la novela caribe？a
Avelar,Idelber;
Revista de Estudios Sociales , 2011,
Abstract: this paper analyzes a pioneering novel in the literary tradition of the colombian caribbean: ingermina, published by juan josé nieto during his exile to jamaica in 1844, and practically forgotten for a century and a half, until it was reedited in 1998. ingermina tells of the conquest of the kingdom of calamar and its conversion into the colonial cartagena of the new granada. the text revolves around the love between an indian woman and a spanish colonist. in contrast to other stories (such as the mexican malinche, iracema in brazil, etc.), nieto's novel offers a notably diverse view of the indigenous population, which is divided between radical and moderate anti-colonialists. my article analyzes the subsumption made by nieto, of a political antagonism under a moral antagonism. firmly planted within the context of colombia in the 19th century, i refer this subsumption to the limits of nieto's liberalism, one of the most radical of his time.
Las novelas de la Transición de Juan José Millás: "Cerbero son las sombras", "Visión del ahogado", "El jardín vacío"
Luigi Contadini
Impossibilia : Revista Internacional de Estudios Literarios , 2013,
Abstract: This paper analyses the first three novels by Juan José Millás. They can be named Transition novels since they are both chronologically close to the most significant steps of the democratic process andfor the themes they approach, themes that hint at those multifaceted issues, uncanny and gloomy, that every age leaves at the margins of the public sphere. Through an investigation of the narrative strategies –with specific reference to time and enunciation– the essay highlights the most significant cruxes of those years, still partly unsolved and emblematically represented by characters in pain, trapped in a heavy memory; characters who desire a way out, but marked by the impossibility to envisage their own future.
Ingermina, de Juan José Nieto: antagonismo y alegoría en los orígenes de la novela caribe a.
Idelber Avelar.
Revista de Estudios Sociales , 2011,
Abstract: This paper analyzes a pioneering novel in the literary tradition of the Colombian Caribbean: Ingermina, published by Juan José Nieto during his exile to Jamaica in 1844, and practically forgotten for a century and a half, until it was reedited in 1998. Ingermina tells of the conquest of the Kingdom of Calamar and its conversion into the colonial Cartagena of the New Granada. The text revolves around the love between an Indian woman and a Spanish colonist. In contrast to other stories (such as the Mexican Malinche, Iracema in Brazil, etc.), Nieto’s novel offers a notably diverse view of the indigenous population, which is divided between radical and moderate anti-colonialists. My article analyzes the subsumption made by Nieto, of a political antagonism under a moral antagonism. Firmly planted within the context of Colombia in the 19th century, I refer this subsumption to the limits of Nieto’s liberalism, one of the most radical of his time.
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