second part of the article resulting from my master's thesis, which deals with the musical representation of brazilian indians in villa-lobos's music. in this second part, i continue to defend the existence of a coherent and self-referential indian style on villa-lobos music, and i observe the signifying potential of rhythmic and textural aspects of this style based on a hermeneutic approach. finally, some models of indian topics on villa-lobos are presented.
