Anotaciones sobre el cine y la ideología

this article points towards working out a series of suppositions taken for granted in relation to what it means to make movies. from its first years, when the idea of cinematographic production was naturalized. this collective image made possible the consolidation of the film industry as art and, at the same time, blocked out possible alternatives of filmmaking. in such sense, this text wants to, through a series of observations; make visible the ideological budgets hiding behind this naturalization of the cinematographic production.