Tensión entre los ejes de lo clásico y lo contemporáneo en dos versiones escénicas de directores argentinos

in this work two scenic proposals released recently in the city of buenos aires are analyzed where the directors maintain in tension the axes of the classic and the contemporary in its traditional work updates. we talked about to cerco de numancia by miguel de cervantes saavedra who directed daniel suárez marzal in 2005 in the teatro nacional and the free version of the tartufo by moliere that in 2007 released guillermo cacace in his experimental theatre apacheta.