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Iconismo y narratario competente en El nombre de la Rosa

DOI: 10.4067/S0071-17132012000200004

Keywords: narratee, narrator, description, iconicity, image.

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Abstract:

this article suggests that umberto eco demonstrates, by means of the iconic fictional medieval world description and the presence of a competent narratee, theoretical conception of iconicity as cultural and temporal sign based convention. to that degree, there are two chapters which analyze the relevant comparative significance of his work: "first day. sixth" from his novel the name of the rose, and "3.5. critique of iconism "from his a theory of semiotics.

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