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Errancia e idiorritmia: um método

DOI: 10.1590/S1678-53202011000100002

Keywords: photography, artistic production's methodology, roland barthes, maurice blanchot.

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Abstract:

the text approaches the terms of the practical research in photography "errancy and idiorhythm - photographs" to try to apprehend a methodological proposal of them. especially in dialogue with l'espace littéraire, of the french essayist maurice blanchot, the "errancy" is discussed as the axis of a practice that ignores your destination and do not abdicate its irreducible (though sometimes unknown) driving force. the "idiorhythm", a term employed by roland barthes in the seminar comment vivre ensemble, serves as a basis for a discussion on the individuation of language. the paper seeks to unite these considerations in a possible essayistic method of production.

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