身体诗学视域下庞德对潇湘八景的跨文化阐释
From the Perspective of Poetics Based on the Body: Ezra Pound’s Cross-Cultural Interpretation of the Eight Views of Xiaoxiang

埃兹拉·庞德在《诗章49》中对潇湘八景的诗歌创作融入了中国古典诗的诗学策略，尤其是中国诗的语法结构和意向书写。通过语法切断和意象并置，庞德打破了传统西方诗歌的线性结构，重构出一种动态性、多维度的诗意表达方式。本文引入身体诗学的理论，聚焦“身体”这一最原初的诗学主体，探讨庞德如何将身体作为诗意产生的核心媒介。首先，在艺格符换中转化身体观，庞德将山水诗和山水画中的视觉意象通过身体感知转化为诗歌语言，实现跨文化意象融合；其次，在灵活语法中重构时空观，庞德对中国诗灵活语法的借鉴，打破了西方单线的写作风格，再构出一种并时性的蒙太奇效果；最后，道家美学的跨文化展演，庞德以减少诗歌创作者主观介入的方式，将身体作为感知世界和诗意表达的中介，使读者在“物–身–物”的具身互动中，直接感受诗所描绘的自然景物，实现“景物自现”“任物自然”的美学追求。
In Canto 49, Ezra Pound incorporates poetics strategies from classical Chinese poetry, particularly its syntactic structure and imagistic writing, into his representation of the “Eight Views of Xiaoxiang”. Through syntactic fragmentation and imagistic juxtaposition, Pound breaks from the linear progression typical of Western poetic tradition and reconstructs a dynamic, multidimensional mode of poetic expression. This paper introduces the theoretical framework of somatic poetics, focusing on the “body” as the primal poetic subject, to explore how Pound positions the body as a central medium for generating poetic meaning. First, in the transference of artistic forms, Pound transforms the perception of the body by translating visual imagery from Chinese landscape poetry and painting into poetic language through embodied sensory experience, thereby achieving a cross-cultural fusion of imagery. Second, in adopting flexible syntax, he reconfigures conceptions of time and space, drawing from the flexible grammar of Chinese poetry to subvert the linear narrative style of Western verse and to produce a synchronic, montage-like effect. Finally, through a cross-cultural performance of Daoist aesthetics, Pound minimizes subjective authorial intervention, positioning the body as a mediator for perceiving the world and expressing poetic vision. This enables readers to experience natural scenery directly through an embodied interaction among “object—body—object”, thereby realizing an aesthetic ideal wherein “scenery reveals itself” and “things follow their natural course”.