《梦游人》：赫尔曼·布洛赫对刻奇的反抗书写
Sleepwalker: Hermann Bloch’s Resistance to Kitsch

赫尔曼·布洛赫的《梦游人》三部曲是现代文学中的杰作，也是其刻奇观的重要实践。通过打破传统线性叙事，布洛赫构建了一个对话性空间，反映了其对现代性危机的敏锐洞察以及对超越刻奇的诉求。碎片化结构则通过分散的叙述单元，打破统一性，直面刻奇对陈词滥调的依赖，增强文本的动态性与开放性，要求读者深思作品的伦理与美学意义。这一文学实验使《梦游人》不仅成为文学创新，也是一种哲学探索，展现了布洛赫对艺术本质的深刻理解和重建文化价值的坚定信念，为现代艺术和文学创作在多元时代提供了新思路。
Hermann Broch’s trilogy The Sleepwalkers is a masterpiece of modern literature and a significant practice of kitsch. By breaking away from traditional linear narratives, Broch constructs a dialogic space that reflects his acute insight into the crisis of modernity and his aspiration to transcend kitsch. The fragmented structure, through dispersed narrative units, shatters unity and directly confronts kitsch’s reliance on clichés, enhancing the text's dynamism and openness while demanding readers to deeply contemplate its ethical and aesthetic implications. This literary experiment makes The Sleepwalkers not only an innovation in literature but also a philosophical exploration, showcasing Broch’s profound understanding of the essence of art and his steadfast belief in reconstructing cultural values. It offers new perspectives for modern art and literary creation in a pluralistic era.