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人工智能生成图片的版权问题研究
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Abstract:
数字化时代,出版与数字技术结合更为紧密,数字出版在技术的推动下蓬勃发展,也提升了出版领域的工作效率。AI绘画为出版社及出版企业开辟了一条自主生成封面及插图的全新道路。然而,人工智能带来便捷的同时,随之而来的是业界针对人工智能自动生成的内容版权问题的争论。人工智能自动生成图像技术是近年来新进入大众视野的技术。较之于国内,该技术在国外更加的发达与完善。这带来的利刃一面就是众多国外画家集体发声抵制AI绘画技术。本篇文章针对此问题,从版权化角度入手,探讨分析AI绘画是否可以被称为作品,是否可以被赋予版权以及大背景下如何缓解人工智能与人类的碰撞。
In the digital era, the combination of publishing and digital technology has become closer. Driven by technology, digital publishing has developed vigorously, and it has also improved the work efficiency in the field of publishing. AI-generated paintings have opened up a new path for publishers and publishing enterprises to independently generate covers and illustrations. However, while artificial intelligence brings convenience, it is accompanied by disputes in the industry regarding the copyright issues of the content automatically generated by artificial intelligence. The technology of automatically generating images by artificial intelligence is a technology that has newly entered the public eye in recent years. Compared with the domestic situation, this technology is more advanced and complete abroad. One side of the double-edged sword it brings is that many foreign painters have collectively resisted the AI painting technology. In response to this issue, this article starts from the perspective of copyright and explores and analyzes whether AI-generated paintings can be regarded as works, whether they can be granted copyright, and how to ease the collision between artificial intelligence and humans in the general context.
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