场域视角下岁时节令类文化空间重塑与传播研究——以凉山火把节为例
Research on Spatial Remodeling and Dissemination of Seasonal Culture from the Perspective of Field—Taking Liangshan Torch Festival as an Example

岁时节令作为中华民族历史长河的智慧结晶，对各民族集体记忆的构建提供了源源不绝的动力。本文借助皮埃尔？布尔迪厄的场域理论，深入探讨岁时节令类文化空间的重塑与传播机制，并以凉山火把节为具体案例进行详细分析。火把节作为彝族文化的瑰宝，不仅承载着深厚的民族历史和文化记忆，更是连通了过去与未来、传统与现代。如今，新生的数字化赋能手段开始成为民族文化传承的有力工具。通过数字场景的搭建，民族地区的乡村集体记忆得以重构，民族文化得以重获全新的传承形式，彝族火把节的文化传承也得以焕发出新的生机。
As the wisdom crystallization of the long history of the Chinese nation, the season provides an inexhaustible power for the construction of the collective memory of all nationalities. With the help of Pierre Bourdieu’s field theory, this paper probes into the reshaping and spreading mechanism of the seasonal order culture space, and makes a detailed analysis by taking Liangshan Torch Festival as a specific case. As a treasure of Yi culture, the Torch Festival not only carries profound national history and cultural memory, but also connects past and future, tradition and modern. Today, the new digital empowerment means have begun to become a powerful tool for national cultural inheritance. Through the construction of digital scenes, the rural collective memory of ethnic areas can be reconstructed, the national culture can regain a new form of inheritance, and the cultural inheritance of the Yi Torch Festival can also be refreshed with new vitality.