Against the background of the new era, the implementation of the rural revitalization strategy is an inevitable requirement for solving the existing major social contradictions in China and realizing the great rejuvenation of the Chinese nation. The richness of farmers’ ideological and cultural qualities is directly related to the effectiveness of rural revitalization and affects the overall process of rural modernization. “Cultural revitalization” in rural revitalization provides an inexhaustible spiritual driving force for enhancing the spiritual outlook of villagers. Therefore, guided by cultural revitalization, fully exploring the values contained in local folk culture represented by Minnan Gezi Opera is a practical need for further realizing rural revitalization and also one of the core meanings of enabling the rural cultural industry to transform into a modernization-oriented model.
References
[1]
Chen, G., Zeng, X. W., & Yan, Z. H. (1997). History of Gezai Opera (p. 17). Guangming Daily Press.
[2]
Chen, M., & Liu, S. C. (2025) A Three-dimensional Examination of Rural Ideological and Political Education Work from the Perspective of the Rural Revitalization Strategy. Journal of Henan Polytechnic University (Social Sciences Edition), 2, 8.
[3]
Chen, X., & Wu, R. (2025). How Can Rural Industrial Revitalization and Rural Education Level Reduce the Urban-Rural Income Gap? Finance Research Letters, 73, Article ID: 106592. https://doi.org/10.1016/j.frl.2024.106592
[4]
Chen, Y. N. (2022). Educational Practice and Reflection on Gezai Opera Entering Schools in Xiamen. Art Education, No. 1, 147.
[5]
Fu, X. (2024). A Tender and Powerful Work Full of Love and Kindness: A Review of the Gezai Opera (Xiang Opera) “The New Bride”. Fujian Arts, No. 12, 19.
[6]
Gao, W. W., & Fang, Y. Q. (2016). The Inheritance and Development of Xiang Opera from the Perspective of Intangible Cultural Heritage. Home Drama, No. 5, 10.
[7]
He, C. (2011). Zhangzhou People and the Development of TaiwanRegion (p. 1). Xiamen University Press.
[8]
Huang, J. H. (2024). A Study on the Embodied Communication of MinnanGezai Opera in the Era of Intelligent Media. Master’s Thesis, Minnan Normal University.
[9]
Jian, M. J. (2022). Research on the Dilemmas and Paths of the Inheritance and Development of Gezai Opera. Art Evaluation, No. 24, 162.
[10]
Li, H. (2022). Linking Two Places with ‘Qiaopi’ and Keeping the Family and the Country in Mind—The Contemporary Significance of the Gezai Opera ‘Qiaopi’. Oriental Art, No. 4, 54.
[11]
Li, N. (2020). The Evolution of the Cultural Connotations of Minnan Gezai Opera in the Process of Social Development. Chinese Theatre, No. 9, 82.
[12]
Li, Y. (2014). The Development Status and Inheritance Countermeasures of Minnan Gezai Opera. Journal of Chongqing University of Science and Technology (Social Sciences Edition), No. 9, 122.
[13]
Liu, Q., & Zhang, K. (2024). A Study of Folk Aesthetic Culture of Minnan Ancestral Hall in the Context of Big Data and Artificial Intelligence. Wseas Transactions on Computer Research, 12, 75-85. https://doi.org/10.37394/232018.2024.12.6
[14]
Tan, X., & Tan, J. H. (2021). Promote the All-Round Revitalization of the Countryside through Rural Revitalization. Socialist Forum, No. 11, 50.
[15]
Wu, H., Zhang, L., Huang, Z., Chen, Z., Yang, W., Tong, X. et al. (2024). Unraveling Minnan Imagery: A Comprehensive Analysis of Traditional and Modern Minnan Nursery Rhymes through Complex Networks. Heritage Science, 12, Article No. 180. https://doi.org/10.1186/s40494-024-01300-7
Xu, L. X. (2022). A Study on the Communication Crisis of Gezai Opera from the Perspective of the View of Communication as a Ritual. Southeast Communication, No. 1, 93.
