《素食者》的多重叙事视角：他者凝视与女性困境
Multiple Narrative Perspectives in The Vegetarian: The Gaze of the Other and Women’s Dilemmas

研究基于叙事视角理论，对韩江小说《素食者》中的多重叙事视角进行系统性分析，旨在揭示女性在复杂社会结构中的困境及反抗。通过文本细读与叙事学分析，解构丈夫、姐夫、姐姐等不同视角，揭示主人公英慧在男性凝视下被建构为“他者”“物化对象”及“规训客体”的身份异化过程。研究发现，女性视角的介入提供了共情空间，凸显了女性在压迫性结构中的主体性抗争。此外，英慧的叙事视角被有意弱化，其主体声音的缺失使其只能通过身体叙事与极端行为实现自我表达与精神解放。小说通过多重叙事视角的动态交织，打破了传统权威叙事的单一性，构建了多元化的意义阐释空间。研究表明，《素食者》深刻揭示了性别权力关系对女性主体的压制机制，同时展现了女性在困境中寻求自我救赎的可能性，为女性文学研究提供了理论参考与实践启示。
This study employs narrative perspective theory to analyze the multiple narrative perspectives in Han Kang’s novel The Vegetarian. It aims to reveal the dilemmas and resistance of women within the complex social structure. Through close reading and narratological analysis, we trace how the perspectives of the husband, brother-in-law, and sister construct the protagonist, Yeong-hye, as the “Other,” and “disciplined subject” under the male gaze. However, the inclusion of the female perspectives, provides a space for empathy and highlights the subjectivity and resistance of women within the oppressive environment. In addition, the author deliberately muted Yeong-hye’s own voice, lead to her extreme behaviors for self-expression, which embodied the silence of women in society. Through the dynamic interplay of multi-ple narrative perspectives, the novel breaks the authority of a single perspective, reveals the mechanisms of gendered power relations in suppressing female subjectivity and shows the potential for women’s self-redemption. These insights offer theoretical and practical implications for feminist literary studies.