从纽马克翻译理论视角下分析我国的诗词的翻译
An Analysis of the Translation of Chinese Poetry from the Perspective of Newmark’s Translation Theory

诗歌作为中华民族的瑰宝，深受国内外人民的喜欢，因其富有深厚的情感，意境深远，一直吸引国内外许多学者的喜爱，因此从古到今一直有学者进行英译。从纽马克翻译理论的视角分析中国诗词的翻译，可以发现诗词翻译在语义翻译和交际翻译之间的平衡与挑战。中国诗词以其独特的语言形式、文化意象和情感表达著称，翻译时需在保留原诗意境和文化特色的同时，确保译文在目标语言中的可理解性和艺术性。我国古代诗歌诗词的韵律、对仗、意象等语言特征，并且神形兼备，翻译起来比较困难。
As a treasure of the Chinese nation, poetry is beloved by people both at home and abroad. It is highly appreciated for its rich emotions and profound artistic conception, which have attracted many scholars from different countries. Therefore, throughout history, scholars have engaged in the English translation of Chinese poetry. Analyzing the translation of Chinese poetry from the perspective of Newmark’s translation theory reveals the balance and challenges between semantic translation and communicative translation. Chinese poetry is renowned for its unique linguistic form, cultural imagery, and emotional expression. When translating, it is necessary to retain the original poem’s artistic conception and cultural characteristics while ensuring the comprehensibility and artistic quality of the translation in the target language. The linguistic features of ancient Chinese poetry, such as rhythm, antithesis, and imagery, are both profound and vivid, making the translation process quite challenging.