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具身化传播实践——中国诗画的空间意识与元宇宙何以共存
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Abstract:
中国诗画以“折高折远”的散点透视构建起迥异于西方焦点透视的空间美学体系,其背后隐含着“天人合一”的宇宙观与“游观”哲学思维。元宇宙作为三维沉浸式数字空间,通过具身化传播机制实现主客体交融的在场体验,其“无界漫游”的时空特性与中国诗画“俯仰自得”的观物方式形成深层对话。文章聚焦三个核心维度展开探讨:首先,以《千里江山图》《溪山行旅图》等经典文本为切入点,解析中国诗画“以大观小”的空间意识如何转化为元宇宙场景中的多维度交互路径;其次,通过敦煌数字供养人计划、故宫“画游千里江山”沉浸展等案例,论证元宇宙技术对“气韵生动”“虚实相生”等古典美学原则的转译与重构可能性;最后,揭示这种数字转译所承载的文明演进逻辑——当“天人感应”哲学与区块链确权机制相遇,当“游观”美学与AR/VR空间叙事融合,实质是中华文明“道器之辩”在数字时代的范式创新。研究表明,元宇宙不仅为中国诗画提供了超越物质载体的生存空间,更通过虚实交互技术将“观物取象”的认知论转化为可参与的文化实践,为开拓数字时代中华文明传承的创新路径提供了理论支撑。
Chinese poetry and painting have established a unique spatial aesthetic system through the “folded height and distance” perspective, which is different from the Western focal perspective. Behind this lies the cosmology of “harmony between man and nature” and the philosophical thinking of “wandering observation”. As a three-dimensional immersive digital space, the metaverse realizes the on-site experience of the integration of subject and object through the embodiment communication mechanism. Its “boundless wandering” spatiotemporal characteristics form a deep dialogue with the “freedom of observation” approach in Chinese poetry and painting. This article focuses on three core dimensions for discussion: Firstly, taking classic texts such as “A Thousand Miles of Rivers and Mountains” and “Travellers among Streams and Mountains” as entry points, it analyzes how the spatial consciousness of “observing the small from the large” in Chinese poetry and painting can be transformed into multi-dimensional interaction paths in metaverse scenes. Secondly, through cases such as the Dunhuang Digital Patronage Project and the “Journey Through A Thousand Miles of Rivers and Mountains” immersive exhibition at the Palace Museum, it argues the possibility of translating and reconstructing classical aesthetic principles such as “vitality and rhythm” and “the interplay of reality and illusion” through metaverse technology. Finally, it reveals the logic of civilization evolution carried by this digital translation—when the philosophy of “harmony between man and nature” meets the blockchain rights confirmation mechanism, and when the “wandering observation” aesthetics
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