清代西域人物绘图风格与形象建构
The Drawing Style and Image Construction of Characters in the Western Regions during the Qing Dynasty

清代是中国统一多民族国家延续发展的重要时期，乾隆朝西师告捷后，编纂西域方志和绘制西域各族图像兴起，其中人物图最能体现“大一统”理念下的西域民族形象建构，通过梳理清代宫廷西域人物画以及西域史志、图册中留存的人物图并分析其绘图风格，能够反映清朝在“混一”诸族时对西域各族形象的建构，对理解中国图像历史中“大一统”理念以及铸牢中华民族共同体意识在历史时期的体现具有重要研究价值和现实意义。
The Qing Dynasty was an important period for the continued development of China’s unified multi-ethnic country. During the Qianlong Dynasty, the Western Army achieved victory, and the compilation of Western regional chronicles and the creation of images of various ethnic groups in the Western Regions emerged. Among them, character maps best reflect the construction of ethnic images in the Western Regions under the concept of “great unity”. By sorting out the character maps preserved in the Qing Dynasty palace’s Western Region figure paintings, Western Region historical chronicles, and atlases, and analyzing their drawing styles, it can reflect the Qing Dynasty’s construction of images of various ethnic groups in the Western Regions during the “mixing” of various ethnic groups. This has important research value and practical significance for understanding the concept of “great unity” in Chinese image history and the embodiment of the Chinese national community in historical periods.