亚里士多德悲剧理论下的《红楼梦》人物分析——以晴雯为例
Character Analysis of A Dream of Red Mansions from the Perspective of Aristotle’s Tragedy Theory—A Case Study of Qingwen

文章运用亚里士多德悲剧理论，以晴雯为例深度剖析《红楼梦》中的人物形象，能为跨文化悲剧美学研究提供独特视角。晴雯的人物形象与亚里士多德悲剧人物观契合度高，其命运发展轨迹与亚里士多德情节结构理论呼应。同时，晴雯之悲在其封建氏族背景下体现出必然性与可然性对人物命运的交织塑造。将亚里士多德悲剧理论运用于《红楼梦》人物分析，展现出中西比较视域下经典文学人物与文艺理论的高度融合性，也进一步验证了亚里士多德悲剧理论的广泛美学价值。
Applying Aristotle’s theory of tragedy to deeply analyze the character image of Qingwen in A Dream of Red Mansions can provide a unique perspective for cross-cultural research on tragic aesthetics. The character image of Qingwen highly coincides with Aristotle’s view of tragic characters, and the trajectory of her fate echoes Aristotle’s theory of plot structure. At the same time, the tragedy of Qingwen reflects how the interweaving of inevitability and probability shapes the character’s destiny within the context of the feudal clan. Applying Aristotle’s theory of tragedy to the analysis of the characters in A Dream of Red Mansions demonstrates the high-level integration of classic literary characters and literary theories from a comparative perspective between China and the West. It also further verifies the extensive aesthetic value of Aristotle’s theory of tragedy.