动画电影《大雨》的反乌托邦叙事策略探析
An Analysis of the Dystopian Narrative Strategy in the Animated Film Heavy Rain

动画电影《大雨》在东方文化底蕴的美学基调下，呈现极具想象力的动画叙事，跳脱出传统神话题材，大胆地将传统元素与先锋个性化融为一体，建构独具一格的国产动画风格，以独特的叙事策略构建了一个反乌托邦的世界。本文从反乌托邦叙事理论出发，结合电影符号学、空间叙事学及主题分析，深入探讨影片中叙事符号的多重隐喻、叙事空间的象征性建构以及叙事主题对现实社会的映射。
Under the aesthetic tone of Eastern cultural heritage, the animated film Heavy Rain presents a highly imaginative narrative, breaking away from traditional mythological themes and boldly integrating traditional elements with avant-garde individuality to construct a unique style of domestic animation. Through its distinctive narrative strategy, the film builds a dystopian world. This paper, based on dystopian narrative theory and combining film semiotics, spatial narratology, and thematic analysis, delves into the multiple metaphors of narrative symbols, the symbolic construction of narrative space, and the reflection of narrative themes on real society.